追光影視

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.                                                                      A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and  "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.                                                                      Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.                                                                      The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.

1、請(qǐng)問(wèn)哪個(gè)平臺(tái)可以免費(fèi)在線觀看《月亮上的洞》?

追光影視網(wǎng)友：在線觀看地址：http://www.irvingpettraining.com/play/120530-1-1.html

2、《月亮上的洞》哪些演員主演的？

網(wǎng)友：主演有Arik,Lavie,Shaike,Ophir,Avraham,Heffner

3、《月亮上的洞》是什么時(shí)候上映/什么時(shí)候開(kāi)播的？

網(wǎng)友：1964 年，詳細(xì)日期也可以去百度百科查詢。

4、《月亮上的洞》如果播放卡頓怎么辦？

百度貼吧網(wǎng)友：播放頁(yè)面卡頓可以刷新網(wǎng)頁(yè)或者更換播放源。

5、手機(jī)版免費(fèi)在線點(diǎn)播《月亮上的洞》哪些網(wǎng)站還有資源？

網(wǎng)友：芒果TV、愛(ài)奇藝、優(yōu)酷視頻、百度視頻

6、《月亮上的洞》的評(píng)價(jià)：

豆瓣電影網(wǎng)友：《月亮上的洞》感太割裂了，一邊頻頻被視覺(jué)設(shè)計(jì)上的創(chuàng)意驚艷到，一邊又不知道導(dǎo)演在吃力地表達(dá)什么！首先要說(shuō)明一點(diǎn)，拋開(kāi)所有片外因素，這部片子我看得很爽。