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備注：已完結(jié)
類型：喜劇片
主演：JohnTormey 伍迪·艾倫 海倫·亨特 查理茲·塞隆 丹·艾克羅
導(dǎo)演：伍迪·艾倫
語言：英語
年代：未知
簡介：CW?布里格斯（伍迪?艾倫飾）是20世紀(jì)40年代美國紐約著名的北海岸保險(xiǎn)公司的最出色的保險(xiǎn)調(diào)查員，他的拿手絕活是能窺探犯人心中所想，從而輕而易舉地破案。自從老板請來了“效率專家”貝蒂，這一切就改變了。貝蒂新官上任，帶來新的策劃新的管理方式，布里格斯成為被開刀的第一人。二人之間火藥味甚濃。在同事喬治的生日會上，他倆被魔術(shù)師叫上臺，在玉蝎子的魔力下，二人被催眠，醒來后對剛才發(fā)生的事一無所知。
備注：已完結(jié)
類型：喜劇片
主演：威爾·法瑞爾 史蒂夫·卡瑞爾 保羅·路德 大衛(wèi)·科恩查內(nèi) 克里斯蒂娜·
導(dǎo)演：亞當(dāng)·麥凱
語言：英語
年代：未知
簡介：七零年代圣地牙哥最出名的王牌主播朗伯甘地(威爾法洛 飾演)又回來了! 另外當(dāng)然還有朗美麗的主播搭檔兼賢內(nèi)助妻子薇洛妮卡(克莉絲汀娜亞柏蓋特 飾演)、氣象專家布瑞克(史提夫卡爾 飾演)、街頭熱血主播布萊恩(保羅路德 飾演)以及體育播報(bào)員錢普等…… 當(dāng)他們接下紐約第一個(gè)24小時(shí)新聞?lì)l道挑戰(zhàn)時(shí)，所有人皮都繃緊嚴(yán)陣以待……
備注：已完結(jié)
類型：喜劇片
主演：茲旦內(nèi)克·斯維拉克 帕沃·里斯卡 Jirí Machácek Petr
導(dǎo)演：揚(yáng)·斯維拉克
語言：其它
年代：未知
簡介：隨著時(shí)間的流逝和年齡的長大，那些陪伴孩子們度過幾多快樂時(shí)光的玩具們，或者破舊，或者過失，逐漸被人遺忘和拋棄。小男孩奧德拉自幼由小熊玩具小庫陪伴，不過小庫已然開線破碎，并且屬于不可清洗的玩具，附著在它身上的粉塵和纖維會讓奧德拉的哮喘復(fù)發(fā)。雖然奧德拉一百個(gè)不情愿，但是媽媽還是堅(jiān)持把小庫扔掉了。夜幕降臨，奧德拉雙手合十，衷心祈禱小布能夠逃離垃圾場。 似乎冥冥中有所感應(yīng)，躺在垃圾堆中的小布站起身來，躲過了碾壓機(jī)的襲擊，也逃脫了塑料軍團(tuán)的魔爪。它輾轉(zhuǎn)來到了一片大森林，并邂逅森林的守護(hù)隊(duì)長詛咒神。在詛咒神的幫助下，它踏上了充滿驚險(xiǎn)的回家之路……
備注：已完結(jié)
類型：喜劇片
主演：威爾·法瑞爾 克里斯蒂娜·艾伯蓋特 保羅·路德 史蒂夫·卡瑞爾 大衛(wèi)·
導(dǎo)演：亞當(dāng)·麥凱
語言：英語 / 法語 /
年代：未知
簡介：在電視播音員被視為權(quán)威的昔日年代里，朗?伯甘蒂（威爾?法瑞爾 Will Ferrell 飾）是屢屢獲獎(jiǎng)的圣迭戈王牌播音員，4頻道在他的新聞小組的帶領(lǐng)下笑傲同行，組內(nèi)的三個(gè)怪家伙只有在朗的身邊才能大展拳腳。工作之外，風(fēng)流成性的朗自然也不會放棄利用知名度勾女，然而一個(gè)讓他吃癟的女郎維羅妮卡（克里斯蒂娜?艾伯蓋特 Christina Applegate 飾）居然還是新聞部的新同事，眾人先后對維羅妮卡展開攻勢結(jié)果全軍覆沒，最后朗用狂野的風(fēng)度征服了冰美人，維羅妮卡與朗的期望不同，這個(gè)有強(qiáng)烈事業(yè)心的女人開始在工作中嶄露頭角并挑戰(zhàn)朗的地位，一次車禍后，朗的生活迅速變得混亂起來……
備注：已完結(jié)
類型：劇情片
主演：馬里烏什·德莫霍夫斯基 貝婭塔·蒂?；S茨 菲耶夫斯基·塔德烏什 Ja
導(dǎo)演：沃伊切赫·哈斯
語言：其它
年代：未知
簡介：The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
