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備注：已完結(jié)
類型：動作片
主演：喬爾·金納曼 法瑞斯·法瑞斯 馬蒂亞斯·瓦雷拉 瑪?shù)铝铡ゑR丁 德拉戈米
導(dǎo)演：巴巴克·納加非
語言：
年代：未知
簡介：“在黑色斯德哥爾摩，犯罪，是唯一的出路?！庇捌瑥牡谝徊抗适陆Y(jié)束三年之后開始。JW（喬爾金納曼）正在監(jiān)獄中服刑。盡管遭遇挫折，但他并沒有放棄發(fā)財致富和進入上流社會的抱負。在監(jiān)獄里，他開發(fā)了一種能夠在股票市場上大顯威力的電腦程序。與此同時第一部中的塞爾維亞黑幫大佬馬多（德拉戈米爾.米?？耍┮惨驗樨湺救氇z，兩個人和解并且成為了朋友。他們計劃著在監(jiān)獄外的JW大學(xué)校友的幫助下完成一筆股票交易。JW因為表現(xiàn)良好得到了假釋出獄的機會。他發(fā)現(xiàn)大學(xué)校友背叛了他。JW面臨著抉擇，究竟是回到監(jiān)獄，老老實實地服刑，還是遠走高飛，從此做個不法之徒？與此同時，第一部中出現(xiàn)過的西班牙毒販豪黑（馬提亞思.瓦雷拉）又策劃了一筆大交易。然而就在一手交錢一手交貨的當口上，事情又搞砸了……
備注：已完結(jié)
類型：劇情片
主演：凱文·德·保拉 萊昂納多·利馬·卡瓦柳 塞烏·喬奇 馬麗雅娜·努涅斯
導(dǎo)演：杰夫·澤姆巴利斯特 邁克爾·澤姆巴利斯特
語言：英語
年代：未知
簡介：本片講述了球王貝利兒時從貧民窟擦鞋童，靠自己的努力克服重重阻礙，逆轉(zhuǎn)絕境成為足球世界最強者的故事。影片揭秘了貝利成名前不為人知的經(jīng)歷，家境貧窮、旁人的冷眼、隊友的排擠并沒有阻礙貝利的成長，父母的教育一直影響著貝利，從被人貶低到萬人矚目，他一個人的逆襲，燃動了數(shù)十億人的斗志。
備注：已完結(jié)
類型：劇情片
主演：米爾卡·迪亞科努 IonCojar CarmenGalin Ernes
導(dǎo)演：AlexandruTatos
語言：羅馬尼亞語
年代：未知
簡介：The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism. Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no promises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called "social conveniences" and not promising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat. "I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do "red Apples" true or less true. I did as I felt. "Alexander Tatos
