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備注:已完結(jié)
類型:劇情片
主演:VirnaLisi F·默里·亞伯拉罕 瓦萊莉婭·鐸比奇 萊古拉·格勞
導(dǎo)演:毛里齊奧·扎卡羅
語言:
年代:未知
簡介:Successful businessman Thomas (about 55), who has chosen to live in Rome, has dedicated his whole life to his work. When his kind and understanding wife Elisa dies, however, his life takes a turn for the worse. His daughter Beatrice, who has broken off her studies and is now living in a mission in India, is more eager than ever to stay there now that her mother has died. Thomas...
備注:已完結(jié)
類型:劇情片
主演:杰瑞米·雷乃 露易絲·莫諾特 布魯諾·托德契尼 尼古拉斯·高布 夏洛特
導(dǎo)演:克里斯蒂安·富爾
語言:法語
年代:未知
簡介:“我不在乎你是否完全屬于我……只要我愛的人一直在我身旁,即使他愛的是別人?!薄 ?942年巴黎,Jean(杰瑞米·雷乃 Jérémie Renier 飾)和Philippe(布魯諾·托德契尼 Bruno Todeschini 飾)這兩位青年同志戀人冒著生命危險,庇護一個孩童時的猶太朋友-Sarah Yvonne(露易絲·莫諾特 Louise Monot 飾),她的家人都被蓋世太保殺害了。他們?nèi)藪暝蟠?,在這個沒有憐憫的社會組成一個臨時家庭。Jean的不肖兄弟Jacques(尼古拉斯·高布 Nicolas Gob 飾)是個蓋世太保的走狗,他出現(xiàn)后,他們?nèi)说年P(guān)系受到威脅。當(dāng)Jean的同志身份被暴露,并且被指控與一名納粹分子有染之時,一場悲劇正在徐徐展開……
備注:已完結(jié)
類型:劇情片
主演:安娜·卡里娜 薩德·里波特 安德烈·S·拉巴爾特 吉萊娜·施倫貝格爾
導(dǎo)演:讓-呂克·戈達爾
語言:法語
年代:未知
簡介:影片講述了女主人公娜娜(安娜·卡里娜 Anna Karina飾)如何從一名普通售貨員走上賣淫道路的悲情一生。娜娜厭倦了售貨員的生活,想要成為一名演員,可命運卻讓她陷入了出賣肉體的色情深淵。她越是深入生命的深刻意義,越是懷疑生活的本來面目。命運輾轉(zhuǎn),就在她終于遇見她的愛人 時,命運又再一次跟她開了場玩笑,死在了皮條客的槍下??此屏鑱y毫無關(guān)聯(lián)的章節(jié),充滿哲理如囈語般的臺詞,為了“拯救靈魂而出賣肉體”么?影片拋擲給我們的又豈止是這一個問題。
備注:已完結(jié)
類型:劇情片
主演:安娜·卡里娜 薩德·里波特 安德烈·S·拉巴爾特 吉萊娜·施倫貝格爾
導(dǎo)演:讓-呂克·戈達爾
語言:法語
年代:未知
簡介:影片講述了女主人公娜娜(安娜·卡里娜 Anna Karina飾)如何從一名普通售貨員走上賣淫道路的悲情一生。娜娜厭倦了售貨員的生活,想要成為一名演員,可命運卻讓她陷入了出賣肉體的色情深淵。她越是深入生命的深刻意義,越是懷疑生活的本來面目。命運輾轉(zhuǎn),就在她終于遇見她的愛人 時,命運又再一次跟她開了場玩笑,死在了皮條客的槍下。看似凌亂毫無關(guān)聯(lián)的章節(jié),充滿哲理如囈語般的臺詞,為了“拯救靈魂而出賣肉體”么?影片拋擲給我們的又豈止是這一個問題。
備注:已完結(jié)
類型:劇情片
主演:詹妮弗·洛佩茲 克里斯汀·肯諾恩斯 瑞安·古茲曼 約翰·考伯特 伊恩·
導(dǎo)演:羅伯·科恩
語言:英語
年代:未知
簡介:詹妮弗·洛佩茲飾演的離婚少婦,與隔壁鄰居,年輕學(xué)生諾阿(《舞出我人生》男星瑞安·古茲曼飾)擦出火花,生活隨之急轉(zhuǎn)直下…… J Lo扮演一位教師,丈夫是個花心大蘿卜,離婚后不久,隔壁搬來一位英俊美少年諾阿,他與自己的兒子關(guān)系融洽,他去她的班上上課,他說她很美。于是他們越走越近,東風(fēng)一夜之后,J Lo想要中斷這不倫的關(guān)系,諾阿卻成了危險,變態(tài)的跟蹤狂,要毀了她的生活,她的工作,她的一切。
備注:已完結(jié)
類型:恐怖片
主演:萊昂納多·斯巴拉格利亞 巴勃羅·埃查里 克拉拉·拉戈 費德里科·路皮
導(dǎo)演:羅德里戈·格蘭德
語言:西班牙語
年代:未知
簡介:華金(萊昂納多·斯巴拉格利亞 Leonardo Sbaraglia 飾)是雙腿癱瘓的殘疾人,終日要與輪椅相伴。然而,華金同時也是一位經(jīng)驗非常豐富的工程技術(shù)人員,精通機械學(xué),還擁有著比常人靈敏數(shù)倍的聽力,憑借著自己出類拔萃的專業(yè)知識,華金將自己的生活安排的井井有條。 一天,一位美麗的單身母親波塔(克拉拉·拉戈 Clara Lago 飾)帶著她6歲的小女兒貝蒂(Uma Salduende 飾)前來投宿,母子兩人的到來讓華金原本蒼白的生活變得生動鮮活起來。一次偶然中,華金得知了自己的房子里住著一伙劫匪,他們正打算利用在房子地下挖隧道的方式來實行他們搶劫銀行的計劃。
備注:已完結(jié)
類型:喜劇片
主演:安德林妮·夏莉 羅伯特·約翰·伯克 馬特·馬洛伊 凱莉·萊卡特
導(dǎo)演:霍爾·哈特利
語言:英語
年代:未知
簡介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.