備注：已完結
類型：劇情片
主演：克林特·伊斯特伍德 希拉里·斯萬克 摩根·弗里曼 杰伊·巴魯切爾 麥克
導演：克林特·伊斯特伍德
語言：英語
年代：未知
簡介：年邁的法蘭基（克林特·伊斯特伍德 Clint Eastwood 飾）是一個有名的拳擊教練，他的徒弟在拳擊場上戰(zhàn)績輝煌。但因為太過于投身與拳擊事業(yè)，忽略了家人的感受，法蘭基與女兒的關系長期冰封，他亦因此陷入了長期的自我封閉和壓抑。一天，一個對拳擊有強烈興趣的女子麥琪（希拉里·斯萬克 Hilary Swank 飾）走進訓練館，請求法蘭基受為門徒。堅毅的決心軟化了法蘭基，他終于決定把麥琪培養(yǎng)成出色的女拳擊手。盡管路很艱辛，但是二人在訓練和比賽中默契的相處磨合，令法蘭基內心得到了親情的撫慰，而麥琪也登上了拳擊場。勇氣和夢想讓他們放下了往日的痛苦，心中有了新的力量。 本片榮獲第77屆奧斯卡最佳影片、最佳導演、最佳女主角、最佳男配角4項大獎。
備注：已完結
類型：劇情片
主演：喬恩·哈姆 蘇拉·沙瑪 麥活·米泰爾 阿西夫·曼德維 達爾尚·杰里瓦拉
導演：克雷格·吉勒斯佩
語言：英語
年代：未知
簡介：伯恩斯坦（喬·哈姆 Jon Hamm 飾）是一名體育經紀人，在這個競爭激烈的行業(yè)里，伯恩斯坦的事業(yè)屢屢受挫，最終，伯恩斯坦決定和球探雷（艾倫·阿金 Alan Arkin 飾）前往印度，將這里作為他們最后一搏的戰(zhàn)場。 在印度，兩人策劃了一個名為“百萬金臂”的真人秀節(jié)目，意在平凡人之中發(fā)掘擁有投球天賦的投手，并且最終將迪尼斯（麥活·米泰爾 Madhur Mittal 飾）和瑞庫（蘇拉·沙瑪 Suraj Sharma 飾）兩名少年招入麾下。之后，伯恩斯坦將兩人帶回了美國，投入了緊張而又高壓的體能訓練之中。然而，從未涉足的新奇國度和繁重的訓練讓兩名土生土長的貧民少年很不適應，一直無法發(fā)揮真正的實力，不過伯恩斯坦并沒有放棄，因為他早已經沒有了退路。?豆瓣
備注：已完結
類型：劇情片
主演：恩里克·洛維索 Valentina Scalici Giuseppe
導演：吉安尼·阿梅利奧
語言：其它
年代：未知
簡介：羅塞塔（瓦倫蒂娜?斯卡里希 Valentina Scalici 飾）和盧恰諾（朱塞佩?伊拉西塔諾 Giuseppe Ieracitano 飾）是一對相依為命的姐弟，她們的母親因為逼女兒賣淫而鋃鐺入獄。此事遭媒體曝光后，兩人隨后被兩個警察送上了去孤兒院的列車。其中一個警察因事先行告退，將姐弟倆托付給警察安東尼奧（恩里克?洛維索 Enrico Lo Verso 飾）獨自看護。姐姐背負著雛妓的心理壓力，但是弟弟卻總是我行我素，兩人常常發(fā)生爭執(zhí)。安東尼奧總是默默旁觀，小心翼翼地呵護著兩顆稚嫩的童心。在經歷了搶劫、酒店驅逐，學校開除、哮喘疾病等一連串霉運后，安東尼奧似乎跟姐弟倆建立一種亦父亦友的關系，然而一張報紙卻讓他們的世界陷入崩潰的邊緣…… 本片獲第45屆戛納電影節(jié)評委會大獎。
備注：已完結
類型：劇情片
主演：薩姆·德·格拉斯 Francelia Billington 埃里克·馮
導演：埃里克·馮·施特羅海姆
語言：英語
年代：未知
簡介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
