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備注：已完結(jié)
類型：劇情片
主演：琳達(dá)·達(dá)內(nèi)爾 柯納·王爾德 喬治·桑德斯 理查德·格林 格倫·蘭甘 理
語言：英語
年代：未知
簡介：16歲的美麗少女阿貝爾（琳達(dá)·達(dá)內(nèi)爾 Linda Darnell 飾）離開了讓她倍感壓抑的原生家庭，前往倫敦，投奔一個名叫布魯斯（Jefferson Pascal 飾）男人。很快，這對小情侶就花光了所有的積蓄，為了維持生計(jì)，布魯斯出海成為了一名走私犯，而阿貝爾則在誤打誤撞之中進(jìn)了監(jiān)獄，此時(shí)她震驚的發(fā)現(xiàn)，腹中已經(jīng)懷上了布魯斯的孩子。 在強(qiáng)盜杰克（約翰·拉塞爾 John Russell 飾）的幫助之下，阿貝爾從監(jiān)獄里逃了出來，之后被杰克賣到了劇院。在那里，阿貝爾邂逅了拉德克里夫公爵（理查德·格林尼 Richard Greene 飾），很快，兩人結(jié)了婚，阿貝爾一躍成為了公爵夫人。就在這個節(jié)骨眼上，布魯斯再度出現(xiàn)在了阿貝爾的面前，并且向她索要那個屬于自己的孩子。
備注：已完結(jié)
類型：愛情片
主演：Devin Dunne Cannon Bridget Barkan C
導(dǎo)演：Isabel del Rosal
語言：英語
年代：未知
簡介：Walk With Me follows the emotional journey of a young mother who leaves her husband to find her footing in the world. As she finds her way, she stumbles into unexpected love with another woman.
備注：已完結(jié)
類型：喜劇片
主演：梅爾·布蘭科 Vivian Dandridge Danny Webb
導(dǎo)演：華特·蘭茨
語言：英語
年代：未知
簡介：懶人鎮(zhèn)，鎮(zhèn)如其名，在這里看不到緊張忙碌的工作場面，也碰不見行色匆匆的路人。溫暖慵懶的空氣緩緩流動，黑人鎮(zhèn)民以及小動物們仿佛被沙仙施了魔法一般都陷入沉睡之中，整個小鎮(zhèn)沒有一絲生氣。 一艘客輪靠近小鎮(zhèn)，美麗性感的爵士女郎步下階梯，她唱起歡快激情的哈萊姆旋律，懶惰的人民為這輕快的舞步和跳躍的節(jié)奏所感染，紛紛從沉睡中醒來，快樂地工作，盡情地玩耍。懶人鎮(zhèn)重新充滿活力……
備注：已完結(jié)
類型：劇情片
主演：NateParker JasonRitter MaggieGrace
導(dǎo)演：JesseZwick
語言：英語
年代：未知
簡介：六個許久不聯(lián)系的大學(xué)好友共聚一堂，計(jì)劃共同度過3天小長假，讓他們重逢的機(jī)遇卻有些悲傷————六人中的亞歷克斯在不久前自殺未遂，好友們決定照看并阻止他再次尋短。然而當(dāng)有著無數(shù)共享記憶的舊日同窗相聚，早已被生活改變的他們將碰出怎樣的火花？近在咫尺的舊愛又對已成人的密友們有何影響？
備注：已完結(jié)
類型：劇情片
主演：詹妮弗·洛佩茲 克里斯汀·肯諾恩斯 瑞安·古茲曼 約翰·考伯特 伊恩·
導(dǎo)演：羅伯·科恩
語言：英語
年代：未知
簡介：詹妮弗·洛佩茲飾演的離婚少婦，與隔壁鄰居，年輕學(xué)生諾阿（《舞出我人生》男星瑞安·古茲曼飾）擦出火花，生活隨之急轉(zhuǎn)直下…… J Lo扮演一位教師，丈夫是個花心大蘿卜，離婚后不久，隔壁搬來一位英俊美少年諾阿，他與自己的兒子關(guān)系融洽，他去她的班上上課，他說她很美。于是他們越走越近，東風(fēng)一夜之后，J Lo想要中斷這不倫的關(guān)系，諾阿卻成了危險(xiǎn)，變態(tài)的跟蹤狂，要?dú)Я怂纳睿墓ぷ?，她的一切?/p>
備注：已完結(jié)
類型：劇情片
導(dǎo)演：威爾·華萊士
語言：英語
年代：未知
簡介：在一個小鎮(zhèn)上，麥迪收養(yǎng)了一個男孩弗朗西斯，但是丈夫和婆婆并不認(rèn)同她的做法，認(rèn)為這個男孩很可疑。長大后，弗朗西斯在女友的慫恿下離開農(nóng)場，但最終他決定返回小鎮(zhèn)，勇敢擁抱自己的新生活。
備注：已完結(jié)
類型：喜劇片
主演：安德林妮·夏莉 羅伯特·約翰·伯克 馬特·馬洛伊 凱莉·萊卡特
導(dǎo)演：霍爾·哈特利
語言：英語
年代：未知
簡介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
