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備注：已完結
類型：恐怖片
主演：夏洛特·柯克 喬納森·霍華德 吉米·巴姆博 Kibong Tanji
導演：尼爾·馬歇爾
語言：英語
年代：未知
簡介：On her ?nal combat mission across the rugged mountains of Afghanistan, Royal Air Force ?ghter pilot Lt. Kate Sinclair’s jet is shot down over one of the most dangerous rebel strongholds. When insurgents come after her at the crash site, she ?nds refuge in a long since abandoned underground bunker. After tracking Sinclair into the depths of the bunker, the insurgents accidentally awaken a man-made deadly biological weapon known as the Ravagers - half human, half alien and hungry for human ?esh. Terri?ed, she watches the creatures rip apart the men pursuing her. Sinclair barely escapes and is picked up by a US army patrol sent to ?nd her. Major Roy Finch, commander of the local US army outpost ‘Fort Apache’, and his ragtag squad of brave soldiers have a dif?cult time believing mutant monsters have been kept hidden in these mountains. Unaware that she has been tracked to their base, dozens of the vicious creatures are already swarming towards them.
備注：已完結
類型：恐怖片
導演：牛原虛彥
語言：日語
年代：未知
簡介：著名物理學家摩耶龍造（見明凡太朗 飾）的家族中流傳著一個恐怖的傳說，凡是見過彩虹男的人最終都會死于非命。雖則如此，但是龍造仍潛心人造彩虹的研究。某天，龍造位于山間的木制別墅發(fā)生火災，其弟子菅八郎被證實喪生禍害?？墒菑默F(xiàn)場的調(diào)查來看，菅八郎遇火之前已被人刺死。最終，龍造續(xù)弦之妻志滿子（平井岐代子 飾）的侄女小幡由利枝（若杉須美子 飾）作為嫌疑人遭到警方逮捕。昭和日報的女記者鳥飼美美（暁テル子 飾）不相信好友由利枝是殺人犯，她和同行隨同警方前去走訪性情古怪且藏有許多秘密的摩耶家族。在這一過程中，不斷有人因虹男遇害…… 本片根據(jù)角川喜久雄的原作改編，被稱為日本第一部自然彩色電影。
備注：已完結
類型：恐怖片
主演：Esteban Prol Horacio Fontova Sergio
導演：Daniel de la Vega Pablo Parés
語言：其它
年代：未知
簡介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
