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備注:已完結(jié)
類型:愛(ài)情片
主演:薩特亞·布哈巴哈 莎哈娜·高斯瓦米 拉賈特·卡普爾 查爾斯·丹斯
導(dǎo)演:迪帕·梅塔
語(yǔ)言:英語(yǔ) / 印度語(yǔ) /
年代:未知
簡(jiǎn)介:改編自薩爾曼·拉什迪的名作《午夜之子》,它用男主角薩利姆·希奈的一生道盡印巴復(fù)雜歷史時(shí)期的人事變遷,以魔幻現(xiàn)實(shí)主義手法構(gòu)造出一個(gè)出人意料的奇思怪想:在印度同一時(shí)刻降生的1001個(gè)孩子,能夠在一個(gè)人的心靈中每夜聚會(huì),這個(gè)會(huì)議于是成了現(xiàn)代印度的一面鏡子。這個(gè)基本構(gòu)想足以造就一部杰作,因?yàn)樗粌H給了人一個(gè)新奇的意象,而且賦予《午夜之子》以史詩(shī)般廣闊的畫面,使觀眾得以從多個(gè)視角認(rèn)識(shí)印度社會(huì)。電影在很大程度上遵從了原著,以自由飛騰的想象力,通過(guò)一個(gè)人的命運(yùn)來(lái)審視一個(gè)民族的歷史,使作品具有豐富的社會(huì)內(nèi)容和深刻的思想內(nèi)容。薩爾曼·拉什迪本人則擔(dān)任了本片的旁白。
備注:已完結(jié)
類型:劇情片
主演:Shabana Azmi Nandita Das Kulbhushan
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:由加籍印裔女導(dǎo)演迪帕.梅塔執(zhí)導(dǎo),曾獲芝加哥國(guó)際影展獎(jiǎng)。因內(nèi)容表現(xiàn)在打破傳統(tǒng)的 “性禁錮方面,所以公映時(shí)竟觸發(fā)狂潮,成為眾矢之的,導(dǎo)演本人亦遭受恐嚇。劇情介紹新德里一個(gè)年輕美貌姑娘嫁入中產(chǎn)店主家庭后,因丈夫沉緬于香港功夫,并迷戀于中國(guó)艷女而受到冷落。而不育的大嫂亦因丈夫參與 “靈修倍感寂寞,兩人同病相憐遂成閨中好友,并發(fā)展成床上鴛鴦。后來(lái)東窗事發(fā),迫使兩人離家出走。該片在印度來(lái)講,內(nèi)容較為惹火,但比起香港片,似乎仍顯平談,而且劇情頗為噱頭,算不上佳作。不過(guò)對(duì)女性情欲描寫極為細(xì)致,有一定的文藝劇情趣味。該片還入選香港 “印度多面睇十大印度影片?! shok (Kulbhushan Kharbanda) runs a family business that sells takeout food and which also has a video rental store at the side. Ashok's extended family includes his wife Radha (Shabana Azmi), his brother Jatin (Javed Jaffrey), their ailing mother Biji (Kushal Rekhi) and their manservant Mundu (Ranjit Chowdhry), all living under the same roof. Jatin, at the insistence of Ashok and their mother, Biji, agrees to marry the beautiful Sita (Nandita Das) in an arranged marriage, although he is actually in love with Julie (Alice Poon), a Chinese-Indian. At first glance, you see a happy middle-class family going through the normal paces of everyday life. However, as the layers are slowly peeled back, we find a simmering cauldron of discontent within the family, with almost every family member living a lie. Both marriages in the family turn out to be emotionally empty, without love or passion. While Ashok is an ascetic who has taken a vow of celibacy, Jatin is a handsome ladies' man who is still openly seeing Julie even after his marriage to Sita. Ashok has pledged his total devotion to a religious holy man, a swami, in order to purge his life of worldly desires and temptations. Radha, bound by her sense of duty to her husband, agrees to go along with his wishes. As you can imagine, with both husbands ignoring their spouses' emotional and sexual needs (albeit with reasons that are totally opposite from each other), it is only a matter of time before Radha and Sita look to one another for comfort and to satisfy their own passions. In this environment, it is only natural that Sita and Radha become fast friends, and, in time, much more than that. But their love is not without its share of painful obstacles.