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備注:已完結(jié)
類型:劇情片
主演:邁克爾·波倫 弗蘭西斯·麥克多蒙德
導(dǎo)演:Michael Schwarz Edward Gray
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:《植物的欲望》改編自邁克爾·普蘭(Michael Pollan)的同名著作?! ”酒v述了四種日常生活中常見(jiàn)的植物以及它們?nèi)绾巫屓祟愊矚g它們的故事。1983年,邁克爾·普蘭與他的妻子離開(kāi)紐約城,到一個(gè)被遺棄的奶牛場(chǎng)定居。普蘭幼時(shí)一直對(duì)園藝十分著迷,再加上他對(duì)自己把握自然的能力深信不疑,他開(kāi)始開(kāi)墾自己的花園。那時(shí)的他還不知道這一行動(dòng)最終促使他開(kāi)始重新思考人與植物的關(guān)系,也成就了他的《植物的欲望》這本書(shū)成為書(shū)架上的暢銷貨。本片將帶領(lǐng)觀眾走遍全世界,從位于秘魯和美國(guó)愛(ài)達(dá)荷州的馬鈴薯菜園到哈薩克的蘋果林,從阿姆斯特丹的郁金香市場(chǎng)到美國(guó)的醫(yī)用大麻的培養(yǎng)室,探尋馬鈴薯、蘋果、郁金香以及大麻的自然史,得出結(jié)論:人類對(duì)它們的渴望使它們的命運(yùn)與我們息息相關(guān)。本片由邁克爾·施瓦茨(Michael Schwarz)執(zhí)導(dǎo)。
備注:已完結(jié)
類型:劇情片
主演:格倫·卡特 杰羅姆·普拉頓 RenéeCastle FredJohan
導(dǎo)演:GaleEdwards 尼克·莫里斯
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:這部音樂(lè)劇DVD取材于耶穌的生平事跡,韋伯創(chuàng)新地將嚴(yán)肅的宗教故事和前衛(wèi)的搖滾音樂(lè)聯(lián)系起來(lái),是一部藝術(shù)表現(xiàn)非常大膽、思想性也極為深刻的作品。如果說(shuō)《約瑟夫與神奇彩衣》是對(duì)圣經(jīng)故事的圖解,那么《萬(wàn)世巨星》從表面上看簡(jiǎn)直就是對(duì)傳統(tǒng)的顛覆與反動(dòng):上帝的兒子耶穌不再時(shí)刻帶著圣哲的光環(huán),他有軟弱,有動(dòng)搖,更多的人性代替了神性;猶大賣主也不是出自貪婪,而是出自上帝安排的命運(yùn),自殺后的猶大穿著白袍帶領(lǐng)一個(gè)天使唱詩(shī)班向耶穌提出幾個(gè)哲學(xué)問(wèn)題,耶穌竟然也不知道答案。細(xì)心的讀者不難看出這樣的情節(jié)安排和電影《耶穌基督的最后誘惑》的相似之處,與后者一樣,該劇剛一推出,便遭到了正統(tǒng)宗教人士的強(qiáng)烈抗議,這反而增加了它的知名度,其插曲《我不知如何愛(ài)他》(I don\'t know how to love Him)、《萬(wàn)世巨星》(Superstar)長(zhǎng)時(shí)間徘徊在各大唱片排行榜上。
備注:已完結(jié)
類型:動(dòng)作片
主演:布魯斯·威利斯 尼爾·麥克唐納 特雷弗·格雷茨基 MeganPetaH
導(dǎo)演:EdwardDrake
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Five elite hunters pay to hunt down a man on a deserted island, only to find themselves becoming the prey.
備注:已完結(jié)
類型:動(dòng)作片
主演:布魯斯·威利斯
導(dǎo)演:EdwardDrake
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:破產(chǎn)警長(zhǎng)本·沃茨(布魯斯·威利斯飾)守衛(wèi)著喬治亞州一個(gè)小鎮(zhèn)上富有居民的秘密。一天,三個(gè)不法分子劫持了鎮(zhèn)上著名的醫(yī)生作為人質(zhì),市長(zhǎng)查爾斯向警長(zhǎng)施壓,要求他出動(dòng)擊殺這三個(gè)不法分子,并消滅所有目擊者。隨著時(shí)間的推移,本·沃茨意識(shí)到他其實(shí)也是大局中的一枚棋子。
備注:已完結(jié)
類型:喜劇片
主演:Vera VanGuard Paul Logan Amy Johnst
導(dǎo)演:Edward G. Negron
語(yǔ)言:
年代:未知
簡(jiǎn)介:著名的健身自拍皇后芭比(Barbi)迷失在荒野中,盡管有國(guó)土安全、外星人死亡射線和零手機(jī)服務(wù),她仍在努力求生。
備注:已完結(jié)
類型:恐怖片
主演:Marshall Thompson Shirley Patterson
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
備注:已完結(jié)
類型:恐怖片
主演:Jaime Hill Lucas Paul Ross Paul
導(dǎo)演:Kyle Edward Ball
語(yǔ)言:
年代:未知
簡(jiǎn)介:Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.
備注:已完結(jié)
類型:劇情片
主演:TriciaHelfer GracePark EdwardJamesO
導(dǎo)演:EdwardJamesOlmos
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:《太空堡壘卡拉狄加:計(jì)劃》的劇情講述的是電視劇中沒(méi)有交代過(guò)的一些事情,故事集中在幾個(gè)未暴露身份的Cylon身上,將以Cylon人自己的視角,來(lái)闡述Cylon對(duì)人類實(shí)施核滅族的動(dòng)機(jī)和觀點(diǎn)。