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備注：已完結(jié)
類型：劇情片
主演：威爾·吉爾 大衛(wèi) 沃爾菲 Mervin Williams David
導(dǎo)演：赫爾倍特·J·比勃爾曼 Herbert J. Biberman
語言：英語
年代：未知
簡介：影片描述了美國40年代工人階級的生活處境、工作條件、所受資本家的壓迫、工人們?yōu)闋幦∽约簯?yīng)得權(quán)利與工作保障所進(jìn)行的正義斗爭，以及工人內(nèi)部和家庭內(nèi)部的關(guān)系等。 美國40年代新墨西哥州的一個城鎮(zhèn)礦區(qū)，德列維爾鋅公司的礦工拉蒙·金泰羅已在井下度過了18年。公司制訂的新規(guī)章不合理，工人得冒著更大的生命危險下井工作。又一次傷亡事故發(fā)生了，工人們提出的合理要求被公司拒絕后，在拉蒙的帶領(lǐng)下，工人們開始了罷工。為支持罷工，拉蒙的老婆愛絲波朗莎將婦女組織起來，成為罷工工人有力的后援隊(duì)。拉蒙被老板買通的警方抓走，一個月后又被放出來。而后老板又買通法院，污蔑工人犯了塔夫脫-哈特萊法，由愛絲波朗莎領(lǐng)導(dǎo)的婦女挺身而出，接替了罷工工人糾察隊(duì)的工作，因?yàn)樗蛎?哈特萊法不適用于她們。愛絲波朗莎等一干婦女被關(guān)了幾天后又放了出來，無計(jì)可施的老板軟硬兼施：一面動員罷工工人去打獵，一面派警察對付留在家里的婦女。多虧拉蒙帶領(lǐng)礦工及時趕回，使狼狽的警察無功而返。最后，罷工取得勝利，無奈的老板答應(yīng)了工人的要求。 http://movie.mtime.com/13319/
備注：已完結(jié)
類型：劇情片
主演：Anna Neagle Anton Walbrook C. Aubre
語言：英語
年代：未知
簡介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
