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備注：已完結(jié)
類型：劇情片
主演：DeeWallace JustinBerfield TrentonKn
導(dǎo)演：FredOlenRay
語言：英語
年代：未知
簡介：他是一個孤苦伶仃沉默不語的小男孩，無意中被一個奇怪的家庭收養(yǎng)，他只知道他的新媽媽美麗、年輕對他好，但是他不知道他的媽媽還有一項(xiàng)特殊的隱身功能。當(dāng)他被家里的哥哥欺侮玩具被拿走時，他的養(yǎng)母就會出現(xiàn)悄悄的來到他面前，并且利用她的這項(xiàng)特殊的功能幫助他把玩具拿回來，再一次危險當(dāng)中，養(yǎng)母挺身而出，用她隱身的能量幫助他擺脫了困境，養(yǎng)母對他無微不至的照顧關(guān)懷，以及對他的鼓勵幫助，給與了他很大的勇氣，使的他不在沉默寡言，也能因而不再孤獨(dú)飲泣。也學(xué)會了去愛別人。@m.yakutv.cc
備注：已完結(jié)
類型：科幻片
主演：Ray Acevedo Tristen Amason Christop
導(dǎo)演：Christopher Ray
語言：英語
年代：未知
簡介：暫無簡介
備注：已完結(jié)
類型：泰劇
主演：薩瀾·魯杰耶拉塔納福拉潘 納塔西特·尤阿瑞克西 塔巴納瓦·高根魯 查維
導(dǎo)演：Petch Varayu Rukskul 卡德·塔恩圖帕
語言：泰語
年代：未知
簡介：暫無簡介
備注：已完結(jié)
類型：歐美劇
主演：詹妮弗·洛芙·休伊特 大衛(wèi)·康拉德 杰·摩爾
導(dǎo)演：JohnGray
語言：英語
年代：未知
簡介：Melinda（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 飾）具有一種和鬼魂溝通的神秘能力，常常有鬼魂來找她幫忙。鬼魂們來到陽世，大都是因?yàn)橛形幢M的心愿，這些心愿阻止了他們再次獲得生命，而Melinda在生與死之間穿梭，在幫助他們的同時，探索生命與死亡的真諦。知道真相的除了丈夫Jim（大衛(wèi)·康拉德 David Conrad 飾）就是Melinda在古董店的合作伙伴Delia（卡穆琳·曼海姆 Camryn Manheim 飾）。喜歡研究超自然現(xiàn)象的人文歷史大學(xué)教授Rick（杰·摩爾 Jay Mohr 飾），雖然看不到鬼魂，但是可以聽到他們的聲音，正因?yàn)榇?，他也?jīng)常幫助Melinda解釋很多她看到的鬼魂給她的提示。
備注：已完結(jié)
類型：歐美劇
主演：大衛(wèi)·康拉德 詹妮弗·洛芙·休伊特 愛莎·泰勒 杰·摩爾
導(dǎo)演：JohnGray
語言：英語
年代：未知
簡介：Melinda（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 飾）具有一種和鬼魂溝通的神秘能力，祖母告訴她這些鬼魂之所以不肯離開，是因?yàn)樗麄兒突钪娜酥g還有未完成的事，并把他們叫做“土地幽靈”。因?yàn)镸elinda具有與鬼魂溝通的這種特殊能力，所以常常有鬼魂來找她幫忙，并進(jìn)行一些超自然的調(diào)查。正因?yàn)榇?，Melinda經(jīng)常遭到人們的非議和質(zhì)疑，但當(dāng)她發(fā)現(xiàn)自己不僅能幫助死者，也同樣對在世的人給予援手時，她知道自己的特異功能不是負(fù)擔(dān)而是一筆財富……
備注：已完結(jié)
類型：歐美劇
主演：盧克曼·薩爾迪 阿里奧·巴尤 瑪麗莎·安妮塔 Fachry Albar
導(dǎo)演：Upi Avianto Ray Farandy Pakpahan Randolph Zaini 喬可·安華
語言：印度尼西亞語
年代：未知
簡介：暫無簡介
備注：已完結(jié)
類型：泰劇
主演：泰莎昂·派索克喬綸 查儂·散頂騰古 皮拉帕·瓦塔納汕西瑞 楊芷蕓 薩哈
導(dǎo)演：Petch Varayu Ruksku
語言：泰語
年代：未知
簡介：GMM2023
備注：已完結(jié)
類型：歐美劇
主演：JohnR.Neill 尼克·桑普森NicSampson
導(dǎo)演：MurrayKeane
語言：英語
年代：未知
簡介：偵探督察邁克·謝潑德（Mike Shepherd）擅長自己的工作，但不善于處理勞資關(guān)系，當(dāng)談到“斷臂林”城破案時，他愛上了他并決定留下來，但很快謝潑德開始與克里斯汀·西姆斯（Kristin Detective Sims）發(fā)生沖突。
鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965
備注：已完結(jié)
類型：劇情片
主演：BobDylan JoanBaez JudyCollins
導(dǎo)演：MurrayLerner
語言：英語
年代：未知
簡介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
