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備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：喜劇片
主演：凱德·麥拉德 丹尼·伯恩 佐伊·費(fèi)利克斯 洛倫佐·奧斯利亞-福雷 安·
導(dǎo)演：丹尼·伯恩
語言：法語
年代：未知
簡(jiǎn)介：菲利普（凱德·麥拉德 Kad Merad 飾）在法國(guó)南部普羅旺斯的一家郵局任職了十多年，一成不變的生活和悶悶不樂的妻子朱莉（Zoé Félix 飾）令他感到壓抑。為了討妻子歡心，菲利普裝扮成殘疾人申請(qǐng)升職到南部的黃金海岸地區(qū)，卻不料弄巧成拙被調(diào)派到了極北的小城貝爾格（Bergues）擔(dān)任局長(zhǎng)。在南方人眼里，那里氣候寒冷惡劣，人民粗俗不堪，說話還帶著難懂的Ch'ti口音，是堪比地獄的地方?！ ⌒幕乙饫涞姆评辙o別家人，忐忑不安的獨(dú)自赴任。然而出乎意料的是，他發(fā)現(xiàn)自己的新下屬們和當(dāng)?shù)氐木用穸己軣崆楹每停约阂埠芸炫c郵遞員安東尼（丹尼·伯恩 Dany Boon 飾）交上了朋友。菲利普逐漸愛上了這處淳樸簡(jiǎn)單的小城，但當(dāng)他試圖說服朱莉一同來到北方生活，卻遭到了妻子的質(zhì)疑…… 本片曾獲2008年歐洲電影獎(jiǎng)及2009年法國(guó)愷撒獎(jiǎng)提名。
備注：已完結(jié)
類型：劇情片
主演：德魯·巴里摩爾 莎拉·吉爾伯特 湯姆·斯凱里特 切瑞·拉德 Alan
導(dǎo)演：凱特·西亞
語言：英語
年代：未知
簡(jiǎn)介：大牌影星朱·巴瑞摩爾曾在著名科幻巨片《E.T.外星人》中飾演一位惹人喜愛的小女孩歌蒂，而在《欲海潮》一片中，觀眾所看到的巴瑞摩爾已不再是一個(gè)小女孩了，她已經(jīng)成長(zhǎng)為一名成熟性感的大艷女?！ ≤缇S是一個(gè)叛逆不平的富家女，在一個(gè)偶然的機(jī)會(huì)遇到了與自己個(gè)性迥然不同的艾薇，她熱情開放的舉止及特有的神秘色彩讓茜維為之震撼，因好奇心驅(qū)使她一心想與她成為好友，因緣際會(huì)下，艾薇住進(jìn)了茜維家，但從此災(zāi)難接踵而至，父親被艾薇誘惑出軌，母親離奇墮樓而亡……
備注：已完結(jié)
類型：愛情片
主演：SarahJessicaParker KimCattrall Kris
導(dǎo)演：MichaelPatrickKing
語言：英語
年代：未知
簡(jiǎn)介：凱瑞（薩拉·杰西卡·帕克 Sarah Jessica Parker 飾）和夏洛特（克里斯汀·戴維斯 Kristin Davis 飾）的兩位同性好友，安東尼（馬里奧·坎通 Mario Cantone 飾）與斯坦福（威利·加森 Willie Garson 飾）終于成婚，而凱瑞與“大先生”（克里斯·諾斯 Chris North 飾）婚后卻不滿生活日漸平淡，二人矛盾漸生。全職媽媽夏洛特日夜擔(dān)心丈夫哈里（伊萬·漢德勒 Evan Handler 飾）會(huì)與青春洋溢的愛爾蘭保姆艾琳（愛麗絲·伊芙 Alice Eve 飾）出軌。律師米蘭達(dá)（辛西婭·尼克松 Cynthia Nixon 飾）不滿老板對(duì)女性的歧視，憤而辭職。就在此時(shí)，薩曼莎（金·凱特羅爾 Kim Cattrall 飾）應(yīng)阿聯(lián)酋酋長(zhǎng)之邀，帶領(lǐng)三人出游中東的阿布扎比。在香料集市上，凱瑞重逢多年前的舊愛艾登（約...
備注：已完結(jié)
類型：劇情片
主演：李·馬文 安吉·迪金森 凱勒·歐康納 約翰·沃儂 詹姆斯·希金 And
導(dǎo)演：約翰·保曼
語言：英語
年代：未知
簡(jiǎn)介：約翰．保曼在三十年前已拍出具現(xiàn)代感覺的動(dòng)作片，堪稱時(shí)代先軀。六十年代動(dòng)作巨星李．馬文飾演一名黑道悍將，他被不忠的妻子和她的歹徒男友合謀槍殺，但大難不死，兩年后出獄，傾全力向陷害他的人報(bào)仇。全片節(jié)奏雖不象九十年代動(dòng)作片那么緊湊有力，但鏡頭絕不拖泥帶水，某些片段還拍出真正的暴力感覺。美國(guó)西岸的景色，包括著名的阿卡翠監(jiān)獄，都增加了本片在視覺上的吸引力。安吉．迪金森和卡羅爾．奧康納等演員亦表現(xiàn)不錯(cuò)。
備注：已完結(jié)
類型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語言：其它
年代：未知
簡(jiǎn)介：前東德最好的一部超現(xiàn)實(shí)主義幻想?。 his is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
