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備注：已完結(jié)
類型：科幻片
主演：Madeleine Barwén Trollvik Richard S
語言：其它
年代：未知
簡(jiǎn)介：Alone in Space is a high concept adventurous, warm and funny genre feature film that doesn't shy away from big questions about life and death. Alone in Space takes the audience on a ride with two kids lost in space, accompanied by a friendly alien.
備注：已完結(jié)
類型：科幻片
主演：馬努·貝內(nèi)特 斯蒂文·吉拉維斯 霍莉布里斯利 JaredRobinse
導(dǎo)演：KarlZwicky
語言：英語
年代：未知
簡(jiǎn)介：Sinbad, armed with rumors of ancient gold, finds himself sneaking into the desert camp of the evil sorcerer Al-Jibar. Hidden among the many relics is an ivory scroll case containing the logs of the pirate Captain Minos, which will lead Sinbad to the golden head of the Colossus of Rhodes.
備注：已完結(jié)
類型：科幻片
主演：克里斯托弗·加吉 伊麗莎白·霍爾姆 MattLagan PaulAnd
導(dǎo)演：EmileEdwinSmith
語言：英語
年代：未知
簡(jiǎn)介：《超級(jí)鯊大戰(zhàn)機(jī)器鯊》是一部科幻災(zāi)難片。影片講述了一只新的巨型鯊魚出現(xiàn)在太平洋里，使海洋安全受到了巨大的威脅，為了阻止巨型鯊帶來的破壞，美國(guó)政府為此也極為頭疼。他們?cè)?jīng)想過各種方式，最終美國(guó)政府決定用科學(xué)家近期發(fā)明的巨大機(jī)械鯊魚來應(yīng)對(duì)這只超級(jí)大鯊魚，整個(gè)過程中機(jī)器鯊也遭到了前所未有的襲擊。在科研人員操作下的機(jī)械鯊和恐怖的巨型鯊即將展開的這場(chǎng)惡戰(zhàn)中，到底孰勝孰敗呢？在經(jīng)歷了惡斗之后，人類是否可以徹底打敗這只巨型鯊魚呢？
備注：已完結(jié)
類型：科幻片
主演：Georgi Solovyov Leonid Khmara Georg
導(dǎo)演：帕維爾·克羅素
語言：其它
年代：未知
簡(jiǎn)介：《通向行星路》的制作期長(zhǎng)達(dá)三年，它是一部雄心勃勃的意識(shí)形態(tài)電影，包含著極具開創(chuàng)性的特效和精湛的手工模型作品。這部影片對(duì)庫布里克《2001太空漫游》（2001：A Space Odyssey，1969）中對(duì)失重狀態(tài)、灼熱的星球和旋轉(zhuǎn)式的太空站模型的在現(xiàn)實(shí)主義描寫有著重要影響。 Klushantsev的《通向行星路》捕捉到了太空競(jìng)爭(zhēng)的時(shí)代思潮。按照莫斯科電影官僚的指示，他在影片中增加了蘇聯(lián)第一個(gè)繞地衛(wèi)星的模型。結(jié)果，這部五十分鐘電影在蘇聯(lián)激起了觀眾的恐慌。據(jù)報(bào)道，電影片段在美國(guó)電視播放時(shí)，有些觀眾恐慌得暈厥過去?！ ∵@使得他隨后的影片也是他唯一一部標(biāo)準(zhǔn)長(zhǎng)片——1962年的《暴風(fēng)雨之星》讓人有點(diǎn)失望。這部影片是這一時(shí)期蘇聯(lián)科幻電影知名度較高的一部，故事由一隊(duì)到金星探索的蘇聯(lián)航天員展開，隊(duì)伍中有四個(gè)男人，一個(gè)女孩，還有一個(gè)笨重的機(jī)器人（這個(gè)機(jī)器人很明顯是效仿了米高梅影片《禁忌星球》（Forbidden Planet，1956）中的機(jī)器人角色）。當(dāng)兩個(gè)宇宙飛船被流星摧毀時(shí)，這一隊(duì)人被迫在星球表面下降著陸。他們一著陸就遇到惡毒的蜥蜴人，掠奪性的翼龍和食人的植物，而最后，他們得以逃離，回到太空中。
備注：已完結(jié)
類型：科幻片
主演：John Price Preben Neergaard Lotte T
語言：其它
年代：未知
簡(jiǎn)介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
備注：已完結(jié)
類型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
語言：其它
年代：未知
簡(jiǎn)介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
備注：已完結(jié)
類型：動(dòng)作片
主演：基努·里維斯 凱瑞-安·莫斯 葉海亞·阿卜杜勒-邁丁 喬納森·格羅夫
導(dǎo)演：拉娜·沃卓斯基
語言：英語
年代：未知
簡(jiǎn)介：尼奧（基努·里維斯 Keanu Reeves 飾）和崔妮蒂（凱瑞-安·莫斯 Carrie-Anne Moss 飾）重回矩陣：在這里，一個(gè)是矩陣創(chuàng)造出來，周而復(fù)始的日常世界，另一個(gè)則是隱藏其后，真實(shí)的人類世界。為了弄清楚自己所處的“現(xiàn)實(shí)”究竟是真是假，尼奧不得不再次做出選擇……
