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備注：已完結(jié)
類(lèi)型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類(lèi)型：愛(ài)情片
主演：JenniferTaylor AaronShields
導(dǎo)演：AlexGraves
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：《欲望綠洲》講述了家庭主婦Karen的丈夫JimWebb對(duì)她非常冷淡，她一心想改變這一現(xiàn)狀的愛(ài)情故事。
備注：已完結(jié)
類(lèi)型：劇情片
主演：德魯·巴里摩爾 莎拉·吉爾伯特 湯姆·斯凱里特 切瑞·拉德 Alan
導(dǎo)演：凱特·西亞
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：大牌影星朱·巴瑞摩爾曾在著名科幻巨片《E.T.外星人》中飾演一位惹人喜愛(ài)的小女孩歌蒂，而在《欲海潮》一片中，觀眾所看到的巴瑞摩爾已不再是一個(gè)小女孩了，她已經(jīng)成長(zhǎng)為一名成熟性感的大艷女?！ ≤缇S是一個(gè)叛逆不平的富家女，在一個(gè)偶然的機(jī)會(huì)遇到了與自己個(gè)性迥然不同的艾薇，她熱情開(kāi)放的舉止及特有的神秘色彩讓茜維為之震撼，因好奇心驅(qū)使她一心想與她成為好友，因緣際會(huì)下，艾薇住進(jìn)了茜維家，但從此災(zāi)難接踵而至，父親被艾薇誘惑出軌，母親離奇墮樓而亡……
備注：已完結(jié)
類(lèi)型：劇情片
主演：阿萊娜·霍夫曼 麥克·多普德 米米·庫(kù)茲克 克里斯塔·布里吉斯 羅恩·
導(dǎo)演：約翰·勒庫(kù)耶
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：A fractured family, caught in a deadly lightning storm, is forced to come together to save their lives.
備注：已完結(jié)
類(lèi)型：劇情片
主演：Oktay Namazov Maryam Naghiyeva Narm
導(dǎo)演：希拉爾·貝達(dá)羅夫
語(yǔ)言：阿塞拜疆語(yǔ)
年代：未知
簡(jiǎn)介：達(dá)烏德是一位無(wú)拘無(wú)束，不被世俗所理解的年輕人。他一心想要尋找自己“真正”的家庭，堅(jiān)信只有他們才能帶給他愛(ài)和希望。在不幸卷入一場(chǎng)紛爭(zhēng)后，達(dá)烏德踏上了一趟始料未及的逃亡之旅。一路上，他遇到了形形色色的人，目睹一場(chǎng)接一場(chǎng)的“意外”，成為了死神的代言人。在潛意識(shí)與當(dāng)下的碰撞之中，這趟奇幻旅程愈發(fā)撲朔迷離。師從貝拉·塔爾，曾憑借《柿子生長(zhǎng)時(shí)》入圍2019年金椰獎(jiǎng)紀(jì)錄片競(jìng)賽的阿塞拜疆新銳導(dǎo)演希拉爾·貝達(dá)羅夫，其劇情片新作《死于之間》首度入圍威尼斯電影節(jié)主競(jìng)賽單元。
備注：已完結(jié)
類(lèi)型：喜劇片
主演：卡拉·索薩 K·C·克萊德 本·奧圖爾 何塞·馬利亞·亞茲皮克 Pat
導(dǎo)演：Catalina Aguilar Mastretta
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：On the surface, Clara Barron seems to have it all a job as an OB-GYN; a great house in LA; and a loving family. But, the one thing Clara doesn't have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities,- only to be caught by surprise when her ex- boyfriend (and family favorite) suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities.
備注：已完結(jié)
類(lèi)型：劇情片
主演：瑪利亞·沙拉耶娃 葉甫蓋尼·齊加諾夫 瑪利亞·沙拉耶娃 Anastas
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：俄羅斯黑海之濱，六歲的小女孩愛(ài)麗莎（Anastasiya Dontsova 飾）和母親（Mariya Sokova 飾）、祖母住在一起。平日里祖孫二人呆在家中，母親辛苦賺錢(qián)，怨聲載道。小愛(ài)麗莎希望學(xué)習(xí)芭蕾舞，但遭到母親的反對(duì)，結(jié)果被送進(jìn)了合唱班。在一次日食過(guò)后，愛(ài)麗莎決定不發(fā)一言，母親四處求醫(yī)，最后無(wú)奈將女兒送入特等學(xué)校。愛(ài)麗莎（Mariya Shalayeva 飾）在這里度過(guò)十年歲月，并自認(rèn)為學(xué)會(huì)了如何心想事成的特異功能。她的愿望讓枯燥無(wú)聊的生活多姿多彩，雖然時(shí)常有不好的事情發(fā)生…… 本片榮獲2008年柏林國(guó)際電影節(jié)影評(píng)人費(fèi)比西獎(jiǎng)、2008年卡蘿維瓦莉國(guó)際電影節(jié)最佳獨(dú)立電影、2008年圣丹斯電影節(jié)導(dǎo)演獎(jiǎng)等。
備注：已完結(jié)
類(lèi)型：劇情片
主演：JulianneC?té Pierre-LucLafontaine L
導(dǎo)演：StéphaneLafleur
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：主人公是22歲的少女妮可，父母外出后獨(dú)自照看房子，她和好朋友韋蘿妮克享受著夏日愜意的時(shí)光。這種平靜被妮可的哥哥打破了，他帶著他的樂(lè)隊(duì)出現(xiàn)了，他們正打算為專(zhuān)輯錄歌。兩個(gè)女孩的友誼受到了考驗(yàn)。她們的假日出現(xiàn)了意想不到的轉(zhuǎn)折。妮可開(kāi)始失眠，并且收到了來(lái)自一個(gè)只有十歲的男孩堅(jiān)持不渝的追求。
