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備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語言：其它
年代：未知
簡介：前東德最好的一部超現(xiàn)實主義幻想??！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
備注：已完結(jié)
類型：愛情片
主演：赫伯特·巴尚 LucSimon LauraDukeCondominas
導(dǎo)演：羅伯特·布列松
語言：法語
年代：未知
簡介：故事發(fā)生在尋找圣杯的最后幾天，當(dāng)亞瑟王的武士們策馬穿過一片充滿黑暗、險象環(huán)生的叢林，一無所獲回到卡默洛特（亞瑟王的宮殿）后，他們的隊伍被解散，士氣頓失。在他們中間，一位名為蘭斯洛特的武士，對此次失敗感到深深自責(zé)。他認(rèn)為正是他和格溫娜維爾皇后的偷情摧毀了這次神圣的使命。失敗的陰影籠罩著一切，輝煌華麗的宮廷呈現(xiàn)出一個即將結(jié)束的年代的衰敗氣象。
備注：已完結(jié)
類型：劇情片
主演：Carlotta Barilli Lorenza Benedetti
導(dǎo)演：貝納爾多·貝托魯奇
語言：其它
年代：未知
簡介：故事開始于羅馬城內(nèi)的一起兇殺案。一名妓女在臺伯河邊的公園中遇害，幾名案發(fā)當(dāng)夜出現(xiàn)在現(xiàn)場的相關(guān)人員被警方一一盤問：身無分文的年青人坎提聲稱最近在找工作，然而事實是他同兩名同伴在公園中伺機偷竊戀人們的物品；慣犯布斯德利久未與警方打交道，他在案發(fā)當(dāng)日白天約會了情人，然后與供養(yǎng)他的放債女友大吵了一架；士兵特奧多羅當(dāng)日則在街上糾纏陌生的女子們，他在公園的長椅上昏昏睡去，但目擊了一名穿著拖鞋的可疑男子……可疑男子到案，向警方供述當(dāng)日自身的經(jīng)歷，同時將一對兒百無聊賴的年青人引入案情。不移時真相終于大白?！ ”酒且獯罄麑?dǎo)演貝托魯奇的處女作，根據(jù)帕索里尼的小說改編而來。
備注：已完結(jié)
類型：劇情片
主演：Jean-Bernard Guillard Philippe Depl
導(dǎo)演：勞爾·魯伊斯
語言：法語
年代：未知
簡介：關(guān)于故事的故事，一切要從這年青學(xué)生的怪遭遇講起?！ ∷麆倸⒘巳?，雙手血仍未冷，第一件要做的事，卻是到附近的舞場，聆聽這醉酒水手的傳奇一生。不記得多少年前，水手從自己的家鄉(xiāng)啟程，搭上一艘由幽靈駕駛的遠(yuǎn)航船。鬼船的詛咒是：他是唯一一個船上的生靈。鬼船在拉丁美洲各個港口漂蕩，水手隨船到處經(jīng)歷，在船上、妓院、碼頭間度過比神話更匪夷所思的歷險?！ ∵@許多魔幻經(jīng)歷，滿有波赫士小說的魔幻神采，而以別創(chuàng)一格的視覺及美術(shù)效果呈現(xiàn)，反映出拉烏爾 魯茲(Raoul Ruiz)對超現(xiàn)實、表現(xiàn)主義影像的駕馭，可謂驚世駭俗。
備注：已完結(jié)
類型：劇情片
主演：Mina Farid 札伊亞·蒂哈 伯努瓦·馬吉梅爾 努諾·洛佩斯 克
導(dǎo)演：麗貝卡·茲羅托斯基
語言：法語
年代：未知
簡介：奈瑪（麗絲?洛米 Lise Lomi 飾）是一個天真而又單純的16歲女孩，暑假就要來臨了，和暑假一起來臨的，還有奈瑪 期盼已久的生日，過了這個生日，奈瑪將又向看似豐富多彩的成年人世界邁進(jìn)了一步。在這個夏天，一直在巴黎生活的表姐索菲亞（札伊亞?蒂哈 Zahia Dehar 飾）回到了奈瑪?shù)纳磉?，索菲亞和奈瑪見過的所有女孩都不同，渾身上下都散發(fā)著神秘的魅力。 奈瑪很快就被索菲亞給深深的吸引了，索菲亞的存在讓奈瑪和好友度度（克洛蒂爾?蔻洛 Clotilde Courau 飾）漸行漸遠(yuǎn)，甚至背叛了兩人之前的約定。在海邊，索菲亞邂逅了名為安德斯（伯努瓦?馬吉梅爾 Beno?t Magimel 飾）的男子，他散發(fā)出的藝術(shù)氣息令索菲亞深深著迷。
