備注:已完結
類型:劇情片
主演:Fatma Oussaifi Mohamed Grayaa Rami
導演:尤塞夫·切比
語言:
年代:未知
簡介:這里是迦太基的新區(qū),現代建筑與廢棄荒地并存之地,人們在建筑工地的中央發(fā)現了看門人的焦尸。Batal和 Fatma負責調查此案,他們決定從鄰近碼頭的工人開始盤問,可很快這起案件就被上面以自焚結案,這種處理讓人感到非常絕望。但調查二人組并不接受這個結果,因為他們心中仍有很多疑惑。比如為什么看門人偏偏選擇在一個如此隱蔽的場所自焚?因為通常自焚者為了引起大量的社會關注,都會選擇在市中心這樣的地方進行。幾天后,在同一片街區(qū),同樣死法的尸體再次出現在了廢墟中央,而這一切才剛剛開始……
備注:已完結
類型:劇情片
主演:Eimutis Kvosciauskas 杜嘉克·伊迪茲 達里婭·葉卡
導演:洛馬斯·扎巴勞斯卡斯
語言:英語,立陶宛語,俄語
年代:未知
簡介:影片講述兩個男人之間復雜的情感故事,gay社團律師馬呂斯(Eimutis Kvosciauskas飾)的生活一直在流逝,他整日都在與朋友玩樂、追逐年輕的戀人。而當馬呂斯疏遠已久的父親去世。馬呂斯發(fā)現他與一名困在塞爾維亞貝爾格萊德的敘利亞難民、性工作者阿里(Do?a? Y?ld?z飾)有著意想不到的聯系,哀悼也悄然間轉變?yōu)榱藧矍椤?/p>
備注:已完結
類型:喜劇片
主演:恩尼奧·凡塔斯蒂基尼 喬治·科蘭杰利 吉安尼·迪·格雷格里奧 Daph
導演:吉安尼·迪·格雷格里奧
語言:其它
年代:未知
簡介:It’s never too late to make a change in your life. Attilio, Giorgetto, and the “Professore,” three retired men from Rome, are tired of their daily struggle; they dream of escaping to someplace exotic. They begin to save up the necessary money but it’s hard to break their habits. Di Gregorio continues his story of harmlessly eccentric men. With him, Giorgio Colangeli and Ennio Fantastichini in his last, very dynamic performance.
備注:已完結
類型:劇情片
主演:貝利·赫維內加拉德 馬克斯·馮·敘多夫 埃里克·帕斯卡 比約恩·格拉納
導演:比利·奧古斯特
語言:丹麥語 / 瑞典語
年代:未知
簡介:故事發(fā)生在十九世紀末北歐,混亂的局勢衰頹的經濟令人民們陷入了民不聊生的境地。農民拉斯卡森(馬克斯·馮·西多 Max von Sydow 飾)帶著兒子佩爾(貝利·赫維內加拉德 Pelle Hvenegaard 飾)來到丹麥,希望能夠在這里依靠自己的雙手掙得更體面的生活?! ∪欢F實卻遠不如想象中那么美好,父子兩人好不容易在農莊里找到了一份清理馬廄的工作,無處可去的兩人只能和馬只一起睡在茅草堆上,白日里還要受到雇主的責難和剝削,生活苦不堪言。長工埃里克(比約恩·格拉納特 Bj?rn Granath 飾)積極的領導工人們同壓迫他們的管家作斗爭,埃里克的自由精神深深鼓舞了佩爾,使他決定離開莊園,開拓新的天地。
備注:已完結
類型:劇情片
主演:謝苗·塞爾津 丘爾潘·哈馬托娃 尤利婭·別列希爾德 尤里·科洛科利尼科
導演:基里爾·謝列布連尼科夫
語言:俄語
年代:未知
簡介:《夢流感》是以《夏》技驚四座的俄羅斯名導基里爾賽勒布倫尼科夫的最新作品,當年因支持同志舞臺劇遭政府軟禁,重獲自由后,創(chuàng)作火力全開。影片以后蘇聯時期為背景,疑似染上流感的男主角在返家路上,遭古怪大叔和求死作家不斷耽擱,在阿司匹林與伏特加的交互作用下,逐漸迷離的意識,竟遁入自己創(chuàng)作的漫畫幻夢里。導演借古諷今的招牌技法、流暢跳躍的花式轉場與交疊夢境,創(chuàng)意直逼《王牌冤家》金牌編劇查理考夫曼與日本動畫宗師今敏,令人大呼過癮。
備注:已完結
類型:劇情片
主演:埃迪·康斯坦丁 漢斯·齊施勒 克勞迪亞·米歇爾森 Nathalie K
導演:讓-呂克·戈達爾
語言:法語
年代:未知
簡介:Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
備注:已完結
類型:喜劇片
主演:德米特里·哈拉季揚 Dmitri Kharatyan 安德烈·米亞赫科
語言:其它
年代:未知
簡介:The presidents of two superpowers, the Soviet Union and the United States, are expected to meet for important negotiations. However, the meeting in jeopardy due to raging of the Russian Mafia, settled in America. Mafioso Rabinovich even interfere with the conversation of top secret hotline between the presidents. So begins a comedy, in which KGB agent Fyodor Sokolov and CIA agent Mary Star expose the Artist, a head of the Mafia, feigning of various Soviet leaders.
備注:已完結
類型:劇情片
主演:Choi Eun-Hee Byeon Ki-Jong Yoo Min
導演:尹龍奎
語言:韓語
年代:未知
簡介:Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.