溫馨提示：歡迎訪問
請記住網(wǎng)址：www.irvingpettraining.com，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費提供在線觀看電影和電視劇服務。
備注：已完結(jié)
類型：愛情片
主演：托莉·安德森 本·霍靈斯沃斯 GardinerMillar 赫羅斯加·
導演：皮特·德路易斯
語言：英語
年代：未知
簡介：幾十年來，卡貝拉石油公司和布蘭迪尼石油公司一直在競爭石油牧場。然而，情況并非總是如此。創(chuàng)始人 Raphael Brandini 和 Frank Cabella 曾經(jīng)和睦相處，直到他們的關系破裂，導致他們將共同的牧場一分為二。作為本土經(jīng)營的卡貝拉石油公司的活潑而有競爭力的繼承人，妮可卡貝拉決心證明她已準備好掌管家族企業(yè)。她已經(jīng)準備好啟動一項翻新計劃，這將使她能夠?qū)?Cabella 擴展到一個新的水平。一切就緒，直到杰克布蘭迪尼重新出現(xiàn)在日落谷，就是這樣。公司律師杰克因家庭緊急情況被召回主宰布蘭迪尼牧場，他從日常工作中分心。在那里，杰克發(fā)現(xiàn)了卡貝拉和布蘭迪尼財產(chǎn)之間的土地糾紛。由于疏忽了自己的家族公司，他決定為他們奪回土地。這樣做，他重新點燃了兩派之間的競爭，因為妮可拒絕承認他對這片土地的要求。當?shù)氐娜章涔确ü贈]有進行漫長而昂貴的法庭訴訟，而是提出了一種非常規(guī)的方式來決定土地的所有權(quán)：無論哪個牧場贏得了一年一度的日落谷橄欖油競賽，都將贏得土地。布蘭迪尼家族已經(jīng)連續(xù)三年獲勝，因此杰克有信心接受挑戰(zhàn)，盡管他個人沒有制造石油的經(jīng)驗。另一方面，妮可的血液中充滿了油，但如果她想取得勝利，就必須克服自己的自我懷疑。當 Jake 和 Nicole 努力創(chuàng)作各自的橄欖油作品時，他們一邊享受著每年一度的秋季音樂節(jié)，一邊發(fā)現(xiàn)他們的共同點可能比他們想象的要多 - 火花開始飛揚。
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：德魯·巴里摩爾 莎拉·吉爾伯特 湯姆·斯凱里特 切瑞·拉德 Alan
導演：凱特·西亞
語言：英語
年代：未知
簡介：大牌影星朱·巴瑞摩爾曾在著名科幻巨片《E.T.外星人》中飾演一位惹人喜愛的小女孩歌蒂，而在《欲海潮》一片中，觀眾所看到的巴瑞摩爾已不再是一個小女孩了，她已經(jīng)成長為一名成熟性感的大艷女?！ ≤缇S是一個叛逆不平的富家女，在一個偶然的機會遇到了與自己個性迥然不同的艾薇，她熱情開放的舉止及特有的神秘色彩讓茜維為之震撼，因好奇心驅(qū)使她一心想與她成為好友，因緣際會下，艾薇住進了茜維家，但從此災難接踵而至，父親被艾薇誘惑出軌，母親離奇墮樓而亡……
備注：已完結(jié)
類型：劇情片
主演：特萊沃·懷特 布萊德·羅 蒂娜·霍爾姆斯 凱蒂·瓦德爾 馬特·布謝爾
導演：喬納·馬科維茨
語言：英語
年代：未知
簡介：無論如何，扎克（Trevor Wright 飾）看起來都是一個如此陽光、溫柔的男孩，他熱愛沖浪，喜歡學習，藝術(shù)素養(yǎng)頗高，而且有著十分難得的家庭觀念。為了照顧姐姐的孩子，他甚至可以放棄讀書的機會。平常的日子里，扎克便和好友蓋布（Ross Thomas 飾）一起玩耍。某天，他結(jié)識了蓋布的哥哥肖恩（Brad Rowe 飾）——一個在好萊塢小有名氣的同性戀作家。他們互相欣賞，漸漸為對方所吸引，一段不被親人們所理解的愛情悄悄滋生…… 本片榮獲2007年西雅圖同性戀電影節(jié)觀眾獎最佳新人導演和最佳影片獎；2007年坦帕同性戀國際電影節(jié)最佳攝影、最佳女配角（Tina Holmes）、最佳影片和最佳男主角（Trevor Wright）4項大獎。
備注：已完結(jié)
類型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語言：其它
年代：未知
簡介：前東德最好的一部超現(xiàn)實主義幻想??！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
