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備注：已完結(jié)
類型：大陸劇
主演：代高政GaozhengDai 張心怡 趙天戈 張彥博
導(dǎo)演：唐萬里
語言：漢語普通話
年代：未知
簡(jiǎn)介：本劇講述了來自武術(shù)之家的女館長(zhǎng)武嬌嬌因意外，獨(dú)自經(jīng)營(yíng)父母留下的武館并照顧失蹤的姐姐留下的孩子，雖然生活貧瘠，但撫養(yǎng)孩子時(shí)帶來的歡樂，抵消了辛勞和疲憊；男主人公祁墨雖來自富豪之家，卻從未享受過家庭的溫暖，為了爭(zhēng)取家庭的認(rèn)可，偶然綁定到了武嬌嬌的武館之中，發(fā)生了一段啼笑皆非，又溫暖治愈的故事。
備注：已完結(jié)
類型：大陸劇
主演：吳京安 周海媚KathyChow 趙毅YiZhao 顏丹晨Danche
導(dǎo)演：陳國(guó)軍
語言：漢語普通話
年代：未知
簡(jiǎn)介：改革開放初期，國(guó)家政策調(diào)整，計(jì)算機(jī)研究所進(jìn)行變革。研究員張鎮(zhèn)南萌生了開公司的想法，公司創(chuàng)立的過程極其艱辛。張鎮(zhèn)南看準(zhǔn)時(shí)機(jī)，領(lǐng)導(dǎo)研發(fā)了漢卡，隨后與P&P公司合作進(jìn)一步增強(qiáng)了公司的實(shí)力。在獨(dú)立扛起國(guó)產(chǎn)電腦大旗之后，他們面對(duì)國(guó)內(nèi)外眾多集團(tuán)品牌的激烈競(jìng)爭(zhēng)，此時(shí)張鎮(zhèn)南卻又不得不和往日戰(zhàn)友對(duì)簿公堂。然而，任何困難都擋不住張鎮(zhèn)南想要走上更大舞臺(tái)的決心，收購國(guó)際計(jì)算機(jī)業(yè)巨頭P&P之后，張鎮(zhèn)南和他的天馳公司站到了世界電子業(yè)的頂峰。
備注：已完結(jié)
類型：歐美劇
主演：萊昂德羅·哈森 露西安娜·帕埃斯 陶馬圖爾古·費(fèi)雷拉 Jefferso
導(dǎo)演：未知
語言：葡萄牙語 Portu
年代：未知
簡(jiǎn)介：蘇扎諾擔(dān)任新分局的警察局長(zhǎng)，這個(gè)膽小的新人不得不向他無所畏懼的小隊(duì)證明自己的勇氣。
備注：已完結(jié)
類型：恐怖片
主演：Sebahat Adalar Mana Alkoy Merve Ate
導(dǎo)演：Alper Mest?i
語言：土耳其語 Turki
年代：未知
簡(jiǎn)介：Due to financial problems, Yilmaz family moves in their grandmother Saadet's house. But Saadet is not living alone as known. Saadet's old house, which is also a tomb of her deceased husband, is inhabited by beings from another dimension. And this beings don't want anyone in the house, but Saadet.
備注：已完結(jié)
類型：恐怖片
主演：Rajani Bharadwaj Kiran Chandrasheka
導(dǎo)演：Navaneeth
語言：卡納達(dá)語 Kanna
年代：未知
簡(jiǎn)介：四名好友為探尋秘寶闖入摩根兇宅，卻揭開殖民時(shí)代英國(guó)雇主的血腥詛咒，每一步尋蹤都淪為惡靈狩獵的致命賭注。
備注：已完結(jié)
類型：喜劇片
主演：Susana Alexander José Carlos Rodríg
導(dǎo)演：Javier Colinas
語言：西班牙語
年代：未知
簡(jiǎn)介：AfamilygatheringattheusualHaciendabringsastonishingeventsaroundthegrandmother'sbirthday.
備注：已完結(jié)
類型：科幻片
主演：CarolineMcQuade KennethTrujillo Was
導(dǎo)演：艾迪·阿利亞
語言：英語
年代：未知
簡(jiǎn)介：阿拉斯加的一個(gè)與世隔絕的小鎮(zhèn)，在一次小型隕石爆炸后發(fā)生污染。
備注：已完結(jié)
類型：恐怖片
主演：Paul Naschy Julia Saly Lola Gaos
語言：其它
年代：未知
簡(jiǎn)介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
