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備注：已完結(jié)
類型：劇情片
主演：劉易斯·柯克 克勞迪婭·格雷斯·麥凱爾 邁克爾麥凱爾 斯蒂芬·鮑克思
導(dǎo)演：特里·李·科克
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Follows the events of the Holocaust through the eyes of an SS Soldier.
備注：已完結(jié)
類型：劇情片
主演：羅莎琳德·拉塞爾 亞歷山大·諾克斯 迪恩·賈格爾 菲利普·梅里韋爾 比
導(dǎo)演：達(dá)德利·尼柯?tīng)査?/a>
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Russell gives a moving performance as sister Elizabeth Kenny, the dedicated nurse who crusaded for the treatment of infantile paralysis. Academy Award Nominations Best Actress--Rosalind Russell.
備注：已完結(jié)
類型：劇情片
主演：大衛(wèi)·布拉德利 Freddie Fletcher 琳內(nèi)·佩里 科林·韋
導(dǎo)演：肯·洛奇
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：英國(guó)男孩比利?卡士柏（David Bradley 飾）生活在一個(gè)破碎的工人階級(jí)家庭里，父親離家出走，除母親和哥哥外，比利也要打工貼補(bǔ)家用。在學(xué)校里比利搗蛋或者逃課看漫畫(huà)書(shū)，從中找尋這個(gè)年齡應(yīng)有的快樂(lè)。 某天他在農(nóng)場(chǎng)高墻上發(fā)現(xiàn)一個(gè)鷹巢，于是從書(shū)店偷回訓(xùn)練獵鷹的教材，按照書(shū)本所寫(xiě)?zhàn)B了一只名為凱斯的小鷹…… 本片榮獲1971年BAFTA電影獎(jiǎng)最佳導(dǎo)演、最佳電影提名、最佳男配角、最佳新人、最佳編劇以及1970年卡洛維法利國(guó)際電影節(jié)水晶球獎(jiǎng)。
備注：已完結(jié)
類型：劇情片
主演：米爾恰·安德烈埃斯庫(kù) 特奧多·科爾班 伊昂·薩普達(dá)魯 Mirela C
導(dǎo)演：柯內(nèi)流·波藍(lán)波宇
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一個(gè)小城的電視臺(tái)在圣誕節(jié)前夕，也是革命紀(jì)念日當(dāng)天準(zhǔn)備錄制一檔關(guān)于城市革命記憶的節(jié)目。故事從清晨開(kāi)始，電視臺(tái)臺(tái)長(zhǎng)正為錄制節(jié)目而做著準(zhǔn)備。其中一位嘉賓瑪尼斯古是一位歷史老師，剛從宿醉中醒來(lái)，隨即開(kāi)始四處借錢(qián)補(bǔ)貼薪水，為此他還向昨夜喝醉后辱罵過(guò)的華人道歉。另一位嘉賓皮斯科斯，退休后獨(dú)自生活，鄰居來(lái)邀請(qǐng)他扮演圣誕老人，他欣然應(yīng)允。按照約好的時(shí)間，節(jié)目錄制開(kāi)始了?，斔鼓峁胖v述了當(dāng)年羅馬尼亞革命日他們的革命事跡，此時(shí)卻有不少觀眾打來(lái)電話?cǎi)g斥他的觀點(diǎn)并說(shuō)他在撒謊?，F(xiàn)場(chǎng)的爭(zhēng)論氣氛立馬活躍了起來(lái)。在這小電視臺(tái)討論的大革命的問(wèn)題究竟會(huì)有怎樣的結(jié)論呢？
備注：已完結(jié)
類型：劇情片
主演：謝苗·塞爾津 丘爾潘·哈馬托娃 尤利婭·別列希爾德 尤里·科洛科利尼科
導(dǎo)演：基里爾·謝列布連尼科夫
語(yǔ)言：俄語(yǔ)
年代：未知
簡(jiǎn)介：《夢(mèng)流感》是以《夏》技驚四座的俄羅斯名導(dǎo)基里爾賽勒布倫尼科夫的最新作品，當(dāng)年因支持同志舞臺(tái)劇遭政府軟禁，重獲自由后，創(chuàng)作火力全開(kāi)。影片以后蘇聯(lián)時(shí)期為背景，疑似染上流感的男主角在返家路上，遭古怪大叔和求死作家不斷耽擱，在阿司匹林與伏特加的交互作用下，逐漸迷離的意識(shí)，竟遁入自己創(chuàng)作的漫畫(huà)幻夢(mèng)里。導(dǎo)演借古諷今的招牌技法、流暢跳躍的花式轉(zhuǎn)場(chǎng)與交疊夢(mèng)境，創(chuàng)意直逼《王牌冤家》金牌編劇查理考夫曼與日本動(dòng)畫(huà)宗師今敏，令人大呼過(guò)癮。
備注：已完結(jié)
類型：劇情片
主演：威廉姆·伯格 Georg Brintrup 霍華德·沃儂
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
備注：已完結(jié)
類型：劇情片
主演：莎拉·阿德勒 娜德·蒂約 Rony Kramer Simon Eine
導(dǎo)演：讓-呂克·戈達(dá)爾
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：Divided into three kingdoms -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times. 頑皮老頭高達(dá)在新作挑釁如常，堅(jiān)持如舊，對(duì)電影愛(ài)情如一，但從形式到內(nèi)容，卻續(xù)有新境。比前作《愛(ài)之頌》更練達(dá)更擊中要害，是他近年最激的反思作品。三段結(jié)構(gòu)的開(kāi)篇〈地獄〉，戰(zhàn)地實(shí)錄與荷里活戰(zhàn)爭(zhēng)片交替，寓意彰甚：人類真會(huì)嗜戰(zhàn)?！礋挭z〉借薩拉熱窩做說(shuō)書(shū)人，真實(shí)與虛構(gòu)人物（包括高達(dá)自己）到此舉行文化圓桌會(huì)議，大家在寬恕迷宮中兜轉(zhuǎn)，唯有佇立已修復(fù)的莫斯塔古橋，才感一絲希望。高達(dá)最後領(lǐng)我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動(dòng)人一幕：學(xué)生問(wèn) DV 可否打救電影？高達(dá)哀哀面向鏡頭，良久不語(yǔ)......
備注：已完結(jié)
類型：劇情片
主演：萊昂納爾·巴里摩爾 南茜·卡羅爾 菲利浦·霍爾姆斯 Louise Ca
導(dǎo)演：恩斯特·劉別謙
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
