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備注:已完結(jié)
類(lèi)型:劇情片
主演:Timothy Ryan Hickernell Lucio Nieto
導(dǎo)演:Timothy Ryan Hickernell
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:A lonely New Yorker serendipitously meets a mysterious foreigner and sparks ignite. A meditation on life and love in the digital age.
備注:已完結(jié)
類(lèi)型:劇情片
主演:AdaAmeh BeverlyOsu BlossomChukwujek
導(dǎo)演:KennethGyang
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Oloture 以尼日利亞為背景,講述了一個(gè)年輕、天真的尼日利亞記者的故事,他臥底揭露了黑社會(huì)的人口販運(yùn)。 不習(xí)慣這種殘酷的環(huán)境,到處都是無(wú)情的商人和皮條客,Oloture 找到了與 Blessing、Linda 和 Beauty 一起生活的妓女的溫暖和友誼。 然而,她被他們的生活方式所吸引,難以應(yīng)付。 在探尋真相的過(guò)程中,她付出了最終的代價(jià)——將她帶到了不歸路的邊緣。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Eugen Grigoriev Sofia Halaimova Vad
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom
備注:已完結(jié)
類(lèi)型:劇情片
主演:薇洛·西爾德斯 洛奇林·莫羅 伊麗莎白·米切爾 Jonathan si
導(dǎo)演:Connie Cocchia
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:艾比一家原本在小鎮(zhèn)過(guò)著平靜的生活,“工作超量的爸爸”、“壓力重積”的媽媽、患有自閉癥的弟弟,日子緊緊巴巴但一家人也相親相愛(ài)。來(lái)自加州的大學(xué)錄取通知書(shū)讓艾比歡喜又憂愁,她為追夢(mèng)不得已與家人分開(kāi),而如何照顧弟弟則變成了全家最大的難題。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Eimutis Kvosciauskas 杜嘉克·伊迪茲 達(dá)里婭·葉卡
導(dǎo)演:洛馬斯·扎巴勞斯卡斯
語(yǔ)言:英語(yǔ),立陶宛語(yǔ),俄語(yǔ)
年代:未知
簡(jiǎn)介:影片講述兩個(gè)男人之間復(fù)雜的情感故事,gay社團(tuán)律師馬呂斯(Eimutis Kvosciauskas飾)的生活一直在流逝,他整日都在與朋友玩樂(lè)、追逐年輕的戀人。而當(dāng)馬呂斯疏遠(yuǎn)已久的父親去世。馬呂斯發(fā)現(xiàn)他與一名困在塞爾維亞貝爾格萊德的敘利亞難民、性工作者阿里(Do?a? Y?ld?z飾)有著意想不到的聯(lián)系,哀悼也悄然間轉(zhuǎn)變?yōu)榱藧?ài)情。
備注:已完結(jié)
類(lèi)型:喜劇片
主演:恩尼奧·凡塔斯蒂基尼 喬治·科蘭杰利 吉安尼·迪·格雷格里奧 Daph
導(dǎo)演:吉安尼·迪·格雷格里奧
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:It’s never too late to make a change in your life. Attilio, Giorgetto, and the “Professore,” three retired men from Rome, are tired of their daily struggle; they dream of escaping to someplace exotic. They begin to save up the necessary money but it’s hard to break their habits. Di Gregorio continues his story of harmlessly eccentric men. With him, Giorgio Colangeli and Ennio Fantastichini in his last, very dynamic performance.
備注:已完結(jié)
類(lèi)型:劇情片
主演:埃迪·康斯坦丁 漢斯·齊施勒 克勞迪亞·米歇爾森 Nathalie K
導(dǎo)演:讓-呂克·戈達(dá)爾
語(yǔ)言:法語(yǔ)
年代:未知
簡(jiǎn)介:Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
備注:已完結(jié)
類(lèi)型:喜劇片
主演:德米特里·哈拉季揚(yáng) Dmitri Kharatyan 安德烈·米亞赫科
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:The presidents of two superpowers, the Soviet Union and the United States, are expected to meet for important negotiations. However, the meeting in jeopardy due to raging of the Russian Mafia, settled in America. Mafioso Rabinovich even interfere with the conversation of top secret hotline between the presidents. So begins a comedy, in which KGB agent Fyodor Sokolov and CIA agent Mary Star expose the Artist, a head of the Mafia, feigning of various Soviet leaders.
備注:已完結(jié)
類(lèi)型:劇情片
主演:Choi Eun-Hee Byeon Ki-Jong Yoo Min
導(dǎo)演:尹龍奎
語(yǔ)言:韓語(yǔ)
年代:未知
簡(jiǎn)介:Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.