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備注：已完結(jié)
類(lèi)型：劇情片
主演：ThodorisAtheridis IriniBalta 葉夫根尼亞·
導(dǎo)演：AndreasLampropoulos KostasSkiftas
語(yǔ)言：希臘語(yǔ)
年代：未知
簡(jiǎn)介：《急速狂奔》曾經(jīng)是天才律師的阿里斯，由于一次敗訴放走了縱火犯，被迫放棄了律師這個(gè)行業(yè)，轉(zhuǎn)而做起了快遞員，然而縱火犯卻心生報(bào)復(fù)，將他身上綁上炸彈，并以此要挾他報(bào)復(fù)社會(huì)，阿里斯不得不根據(jù)縱火犯的指示行事，然而縱火犯卻不甘心于此，炸死了阿里斯的父親，阿里斯痛不欲生，最后終于找到始作俑者，阻止縱火犯實(shí)施更大陰謀。
備注：已完結(jié)
類(lèi)型：劇情片
主演：Altantur Altanjargal Rentsenbat Bat
導(dǎo)演：S. Baasanjargal Shuudertsetseg Baatarsuren
語(yǔ)言：蒙古語(yǔ)
年代：未知
簡(jiǎn)介：A feature film based on the true story of the legendary Princess Khutulun of Mongolia.
備注：已完結(jié)
類(lèi)型：喜劇片
主演：Shahid Kapur Kareena Kapoor Pavan M
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一次偶然中，艾迪特（沙希德·卡潑爾 Shahid Kapoor 飾）在火車(chē)上遇見(jiàn)了名為吉特（卡琳娜·卡普 Kareena Kapoor 飾）的女子，通過(guò)交談，艾迪特得知吉特有一個(gè)相戀已久的男友安舒曼（Tarun Arora 飾），于是幫助吉特離家出走，去和安舒曼雙宿雙飛，而自己也回到了家中，承擔(dān)起了家族企業(yè)那沉重的負(fù)擔(dān)。時(shí)間流逝，艾迪特的心中一直沒(méi)有忘卻勇敢堅(jiān)強(qiáng)的吉特?！ ≈钡郊氐募胰苏业桨咸刂畷r(shí)，他才知道，吉特并沒(méi)有能夠和安舒曼在一起，他去找安舒曼，卻發(fā)現(xiàn)此人是一個(gè)薄情寡義的混蛋，他對(duì)吉特避而不見(jiàn)，無(wú)處可去的吉特只能暫時(shí)在修道院中寄宿。艾迪特找到了吉特，說(shuō)服她回到家人身邊，然而，就在吉特答應(yīng)之時(shí)，安舒曼卻改變了態(tài)度，忽然出現(xiàn)在了吉特的眼前。
備注：已完結(jié)
類(lèi)型：劇情片
主演：弗蘭茨·羅戈夫斯基 艾力克·高敦 克勞迪奧·桑塔瑪利亞 彼得洛·卡斯特
導(dǎo)演：加布里爾·梅內(nèi)提
語(yǔ)言：意大利語(yǔ) / 德語(yǔ)
年代：未知
簡(jiǎn)介：第二次世界大戰(zhàn)期間，1943年德軍襲擊羅馬，馬蒂爾德（Matilde）、森西奧（Cencio）、富爾維奧（Fulvio）和馬里奧（Mario）一家在一座永恒的城市的馬戲團(tuán)工作。他們的父親用他們的錢(qián)去買(mǎi)票逃亡，沒(méi)回音而消失，這導(dǎo)致四個(gè)朋友的生活陷入混亂中。沒(méi)有任何人照顧他們，但最重 要的是，沒(méi)有馬戲團(tuán)，他們也失去了社會(huì)地位，如同戰(zhàn)爭(zhēng)城市中散落的景點(diǎn)那樣逐漸凋零。
備注：已完結(jié)
類(lèi)型：喜劇片
主演：MiguelFerrer JohnLivingston MosDef
導(dǎo)演：丹尼爾派恩(DanielPyne)
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：兩位電影系畢業(yè)生決定不計(jì)一切代價(jià)，完成一部轟動(dòng)影壇的成功影片；在經(jīng)歷第一部失敗之作的慘痛經(jīng)驗(yàn)後，威爾頓和AJ決定以一家兩人徵信社為題材，拍攝一部紀(jì)錄片；私家偵探布恩（麥吉爾費(fèi)洛）是這家位於洛城的袖珍徵信社老闆之一，由於生意慘澹，徵信社的財(cái)務(wù)並不樂(lè)觀，但布恩決心要改變這個(gè)現(xiàn)況；當(dāng)布恩的合夥人意外身亡後，威爾頓和AJ的拍片計(jì)畫(huà)亦加入了不可預(yù)料的變數(shù)，並就此捲入了充滿誘惑、背叛、與謀殺的現(xiàn)實(shí)世界中。
備注：已完結(jié)
類(lèi)型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演：謝爾蓋·愛(ài)森斯坦 格里高利·亞歷山德羅夫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
