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備注：已完結(jié)
類型：劇情片
主演：凡妮·沃德 早川雪洲 Jack Dean James Neill 阿部
導(dǎo)演：塞西爾·B·戴米爾
語言：英語
年代：未知
簡介：Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by Ed Stephan {[email protected]} Richard Hardy, a hardworking stockbroker, labors overtime to keep up with the ruinous bills incurred by his beautiful but irresponsible wife Edith, a venal, spoiled socialite who is impervious to his pleas for fiscal restraint. Acting on what she believes to be an insider information, she impulsively embezzles $10,000 from the Red Cross charity she chairs for a stock tip. When she finds the money has been lost, she desperately turns to a Japanese ivory trader with whom she has been thoughtlessly flirting and persuades him to replace the money in exchange for an assignation. When her husband's long-awaited business deal finally materializes, she desperately tries to withdraw from their agreement by replacing the money. Angered and disappointed with her resistance to his advances, he uses a branding device to mark her shoulder as his property. Feeling violated, Edith shoots him in the shoulder and leaves. In order to protect his wife's reputation, Richard confesses to the crime and faces trial for attempted murder. Written by Gabe Taverney ([email protected])
備注：已完結(jié)
類型：劇情片
主演：米婭·華?？莆炙箍?/a> 艾瑞克·巴納 拉達(dá)·米切爾 達(dá)利普·索地 Eddi
導(dǎo)演：羅伯特·康諾利
語言：英語
年代：未知
簡介：跟隨艾比，一個孩子誰成為一個偉大的野生藍(lán)色摸索者在潛水時的朋友。當(dāng)艾比意識到魚受到威脅時，她從她的積極分子媽媽朵拉那里得到了靈感，并與偷獵者進(jìn)行了斗爭，以拯救她的朋友。
備注：已完結(jié)
類型：劇情片
主演：伊芙琳·普雷爾 Flo Clements 詹姆斯·D·魯芬 Jack
導(dǎo)演：奧斯卡·米紹
語言：其它
年代：未知
簡介：Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.
備注：已完結(jié)
類型：劇情片
主演：漢娜·霍德森 安德烈·羅佑 羅茜·佩雷茲 荷砦爾古德曼 Coati M
導(dǎo)演：吳宇森 埃米爾·庫斯圖里卡 斯派克·李 Kátia Lund 喬丹·斯科特 梅迪·夏夫 斯特法諾·維內(nèi)魯索
語言：國語
年代：未知
簡介：本片由由威尼斯電影節(jié)發(fā)起，并由聯(lián)合國兒童基金會選定七位導(dǎo)演各自拍攝七部以兒童為主題的短片，旨在喚醒世人對兒童的關(guān)注和愛護(hù)?！ 短乖访返稀は姆颍∕ehdi Charef） 非洲男孩坦扎的國家正陷入內(nèi)戰(zhàn)，他手執(zhí)冰冷冷的槍戰(zhàn)戰(zhàn)兢兢度過每一天，他多么希望能回到安靜的家鄉(xiāng)和充滿 陽光的課堂…… 《藍(lán)色吉卜賽》埃米爾·庫斯圖里卡（Emir Kusturica） 吉普賽男孩烏洛斯（Uros Milovanovic 飾）即將走出少管所，但是大墻外的自由世界卻看不到幸福的希望…… 《上帝保佑的美國孩子》斯派克·李（Spike Lee） 小女孩從父母那里感染了艾滋病，幼小的她該如何面對這一切？ 《畢露和喬》卡迪亞·蘭德（Kátia Lund） 畢露和喬是住在巴西貧民窟的兩個好朋友，為了一雙新球鞋，為了給家中多添一片瓦，他們拾廢品換錢，永遠(yuǎn)保持樂觀的精神…… 《喬納森》雷德利·斯科特（Ridley Scott） 喬丹·斯科特（Jordan Scott） 戰(zhàn)地記者經(jīng)歷無數(shù)人間慘劇，回到歐洲后他備受折磨，恍惚間他回到了自己的童年…… 《Ciro》斯蒂芬諾·維奈魯索（Stefano Veneruso） 意大利那不勒斯，男孩光天化日之下偷盜搶劫，只為了…… 《歡歡和小貓》吳宇森 歡歡是個家庭富裕嬌生慣養(yǎng)的小女孩，小貓則是被人拋棄然后由撿破爛的爺爺好心撫養(yǎng)長大的可憐孩子。一場災(zāi)禍，一個洋娃娃，將兩個孩子的生活連在一起……
備注：已完結(jié)
類型：劇情片
主演：Morgan Val Baker Georgia Ellery Mar
導(dǎo)演：馬克·詹金
語言：英語
年代：未知
簡介：康沃爾漁村的風(fēng)景明信片田園詩誤導(dǎo)了人們。雖然過去釣魚是一種養(yǎng)家糊口的方式，但如今富有的倫敦游客紛紛下山，取代了當(dāng)?shù)厝耍?dāng)?shù)厝说纳嬕虼耸艿酵{。史蒂文和馬丁兄弟的關(guān)系也很緊張。馬丁是一個沒有船的漁夫，因為史蒂文開始用它來為一整天的游客提供更賺錢的旅游。他們賣掉了這座家庭別墅，現(xiàn)在看來，最后一場戰(zhàn)斗是和新主人在海邊的停車位上展開。然而，情況很快就失控了，而不僅僅是因為車輪夾鉗?！ ait是一種黑白，手工制作，16毫米膠片制作的電影。許多關(guān)于魚、網(wǎng)、龍蝦、長靴、繩結(jié)和漁籃的特寫鏡頭讓人想起了蒙太奇景點(diǎn)的理論。對不同社會階層的描述——可以說是階級關(guān)系——也讓人想起了英國電影中的社會現(xiàn)實主義傳統(tǒng)。然而，最重要的是，在影像中不同層次的電影歷史參考文獻(xiàn)之下，當(dāng)前許多政治關(guān)聯(lián)正在等待被發(fā)現(xiàn)?！ he picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
