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備注：已完結(jié)
類(lèi)型：劇情片
主演：雷·溫斯頓 本·金斯利 伊恩·麥柯肖恩 阿曼達(dá)·雷德曼 詹姆斯·?？怂?/a>
導(dǎo)演：喬納森·格雷澤
語(yǔ)言：英語(yǔ) / 西班牙語(yǔ)
年代：未知
簡(jiǎn)介：蓋爾（雷·溫斯頓 Ray Winstone 飾）曾是一名在“職場(chǎng)”上叱咤風(fēng)云的大盜，如今，早已遠(yuǎn)離了江湖的他和妻子迪迪（阿曼達(dá)·萊德曼 Amanda Redman 飾）在一幢山間別墅內(nèi)過(guò)著閑適愜意的生活，在好友艾奇（Cavan Kendall 飾）和杰克（Julianne White 飾）的陪伴下，蓋爾覺(jué)得當(dāng)初的金盆洗手是一個(gè)正確的決定。
備注：已完結(jié)
類(lèi)型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演：謝爾蓋·愛(ài)森斯坦 格里高利·亞歷山德羅夫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
備注：已完結(jié)
類(lèi)型：喜劇片
主演：亞瑞克·阿莫蘇帕西瑞 RamitaMahapreukpong 蘇達(dá)拉·
導(dǎo)演：ReukchaiPuangpetch
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：蘇克（亞瑞克·阿莫蘇帕西瑞 Arak Amornsupasiri 飾）打小喜歡音樂(lè)，希望能夠成為一名業(yè)內(nèi)聞名的歌手，為了接近自己的理想，蘇克來(lái)到了唱片公司試音，卻在那里遇見(jiàn)了名為馬蓉（Gypso Ramita Mahapreukpong 飾）的追星族。馬蓉大大咧咧迷迷糊糊，可愛(ài)的模樣瞬間令蘇克墜入了情網(wǎng)。
備注：已完結(jié)
類(lèi)型：劇情片
主演：Zoya Baranovskaya 伊戈?duì)枴た茽柾蟹蛩够?/a> Sergei
導(dǎo)演：納塔莉亞·沃羅日比特
語(yǔ)言：俄語(yǔ) / 烏克蘭語(yǔ)
年代：未知
簡(jiǎn)介：頓巴斯，烏克蘭內(nèi)戰(zhàn)，一系列的黑色故事正圍繞著“路”這個(gè)意象上演。安全舒適區(qū)被擠壓得蕩然無(wú)存，也無(wú)法透過(guò)重重迷霧看透世事。當(dāng)眾生都囿于如此混亂困境，有人卻成功凌駕于他人之上。弱者不弱，若有武器在手——既然已看不到明天，就不能當(dāng)待宰的羔羊… 沉浸于戲劇和電視領(lǐng)域創(chuàng)作多年后，導(dǎo)演沃洛日比特首執(zhí)電影導(dǎo)筒，將其擅長(zhǎng)的體裁以“準(zhǔn)紀(jì)錄片”形式呈現(xiàn)，用凜冽的鏡頭戲謔世間，冷眼旁觀人類(lèi)的困獸之斗。
備注：已完結(jié)
類(lèi)型：劇情片
主演：薩拉·簡(jiǎn)·迪亞斯 拉杰什里·德什潘德 桑迪亞·米達(dá)爾 阿姆里特·馬赫拉
導(dǎo)演：賓·納倫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：在印度果阿邦，朋友婚禮前夕，一群婦女討論著生活中的一切事情：從她們的事業(yè)，性生活大街坊鄰居的秘密。夜晚逐漸過(guò)去，我們逐漸理解到這些女性的夢(mèng)想，欲望，擔(dān)憂，最重要的是她們的之間的關(guān)系。
備注：已完結(jié)
類(lèi)型：劇情片
主演：Ioko Ioannis Kotidis Nikos Zeginogl
導(dǎo)演：瓦西里斯·可卡托斯
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Night, national road. Two strangers meet for the first time at an old gas station. One has stopped to gas up his bike, while the other is just stranded. Lacking the 22.50EUR he needs to get home, he will try to sell him the distance that separates them from the sky.
備注：已完結(jié)
類(lèi)型：喜劇片
主演：Peri Baumeister David Schütter Marc
導(dǎo)演：馬丁·施萊爾
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Dawid, Vanessa and Ludwig are the finalists at a pitch-competition for a movie about the German Rap phenomenon CRO. As the three youngsters work out their extraordinary film ideas, they must fight through unexpected personal challenges.
備注：已完結(jié)
類(lèi)型：劇情片
主演：博胡什·扎霍爾斯基 Svatava Hubeňáková
導(dǎo)演：伊日·門(mén)澤爾
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died. Graduation film of director Jirí Menzel.
備注：已完結(jié)
類(lèi)型：劇情片
主演：拉斯·艾丁格 戈德哈爾德·吉瑟 Valerie Koch
導(dǎo)演：愛(ài)德華·貝爾格
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：斯特凡、茱莉亞和托比亞斯這三個(gè)兄弟姐妹過(guò)著舒適的中產(chǎn)階級(jí)生活。從表面上看，他們做得很好，但所有三個(gè)人都越來(lái)越意識(shí)到他們的生活中存在著差距，有些事情不對(duì)勁，有些事情必須改變。41歲的斯特凡是一位成功的飛行員，一位真正的女士；到目前為止，他一直過(guò)著無(wú)憂無(wú)慮的享樂(lè)主義者的生活。但是突然之間，他的健康狀況就不復(fù)存在了；而且，與他在早先的一樁婚外情中所生的女兒維姬的一次邂逅使他偏離了軌道。44歲的茱莉亞和丈夫在意大利度假時(shí)，開(kāi)始照顧一只被車(chē)撞的街頭狗。突然，她兒子去世的痛苦追上了她。34歲的托比亞斯嫁給了一位職業(yè)女性。他一直在照顧他們的三個(gè)孩子，似乎無(wú)法完成學(xué)業(yè)；現(xiàn)在他的兄弟姐妹決定他也應(yīng)該照顧他們生病的父親。 愛(ài)德華·伯杰的電影描繪了三個(gè)人尋找幸福和內(nèi)心平靜。由于這三個(gè)集中的性格研究，形象出現(xiàn)了一個(gè)不安全的一代在一個(gè)快速變化的世界?！ he three siblings Stefan, Julia and Tobias lead comfortable middle-class lives. Outwardly, they are doing well, but all three are becoming more and more aware that there are gaps in their lives, that something is not right, and that something has to change. Stefan, 41, is a successful pilot and a real ladies man; up to now he has always led the life of a carefree hedonist. But suddenly his health will not play along anymore; moreover, an encounter with his daughter Vicky, whom he fathered in an earlier affair, throws him off course. While holidaying in Italy with her husband, Julia, 44, begins taking care of a street dog that’s been hit by a car. All of a sudden the pain of her son’s death catches up with her. Tobias, 34, is married to a career-orientated woman. He has been taking care of their three children and cannot seem to finish his studies; now his siblings have decided that he should also take care of their sick father. Edward Berger’s film portrays three people in search of happiness and inner peace. As a result of these three concentrated character studies, the image emerges of an insecure generation in a rapidly changing world.
