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備注：已完結(jié)
類(lèi)型：劇情片
主演：伊恩·夏普 Gina Bramhill 里克·沃登 Nicholas
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：A mysterious man, Dean, returns to his hometown of Grimsby after many years abroad in the Army. His arrival is met with animosity, particularly from his father, an avid pigeon racer. Dean is drawn back to confront his demons, and confess a secret to a childhood friend, Jess, only to discover she has been struggling since the untimely death of her husband. Whilst attempting to raise her child and battling a crumbling economy and dearth of opportunities, she is pulled into a harsh underworld. Dean must help her, throw her a lifeline, but the situation only darkens. When their lives are threatened he will do all it takes to make sure she is safe.
備注：已完結(jié)
類(lèi)型：愛(ài)情片
主演：托莉·安德森 本·霍靈斯沃斯 GardinerMillar 赫羅斯加·
導(dǎo)演：皮特·德路易斯
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：幾十年來(lái)，卡貝拉石油公司和布蘭迪尼石油公司一直在競(jìng)爭(zhēng)石油牧場(chǎng)。然而，情況并非總是如此。創(chuàng)始人 Raphael Brandini 和 Frank Cabella 曾經(jīng)和睦相處，直到他們的關(guān)系破裂，導(dǎo)致他們將共同的牧場(chǎng)一分為二。作為本土經(jīng)營(yíng)的卡貝拉石油公司的活潑而有競(jìng)爭(zhēng)力的繼承人，妮可卡貝拉決心證明她已準(zhǔn)備好掌管家族企業(yè)。她已經(jīng)準(zhǔn)備好啟動(dòng)一項(xiàng)翻新計(jì)劃，這將使她能夠?qū)?Cabella 擴(kuò)展到一個(gè)新的水平。一切就緒，直到杰克布蘭迪尼重新出現(xiàn)在日落谷，就是這樣。公司律師杰克因家庭緊急情況被召回主宰布蘭迪尼牧場(chǎng)，他從日常工作中分心。在那里，杰克發(fā)現(xiàn)了卡貝拉和布蘭迪尼財(cái)產(chǎn)之間的土地糾紛。由于疏忽了自己的家族公司，他決定為他們奪回土地。這樣做，他重新點(diǎn)燃了兩派之間的競(jìng)爭(zhēng)，因?yàn)槟菘删芙^承認(rèn)他對(duì)這片土地的要求。當(dāng)?shù)氐娜章涔确ü贈(zèng)]有進(jìn)行漫長(zhǎng)而昂貴的法庭訴訟，而是提出了一種非常規(guī)的方式來(lái)決定土地的所有權(quán)：無(wú)論哪個(gè)牧場(chǎng)贏得了一年一度的日落谷橄欖油競(jìng)賽，都將贏得土地。布蘭迪尼家族已經(jīng)連續(xù)三年獲勝，因此杰克有信心接受挑戰(zhàn)，盡管他個(gè)人沒(méi)有制造石油的經(jīng)驗(yàn)。另一方面，妮可的血液中充滿了油，但如果她想取得勝利，就必須克服自己的自我懷疑。當(dāng) Jake 和 Nicole 努力創(chuàng)作各自的橄欖油作品時(shí)，他們一邊享受著每年一度的秋季音樂(lè)節(jié)，一邊發(fā)現(xiàn)他們的共同點(diǎn)可能比他們想象的要多 - 火花開(kāi)始飛揚(yáng)。
備注：已完結(jié)
類(lèi)型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類(lèi)型：劇情片
主演：德魯·巴里摩爾 莎拉·吉爾伯特 湯姆·斯凱里特 切瑞·拉德 Alan
導(dǎo)演：凱特·西亞
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：大牌影星朱·巴瑞摩爾曾在著名科幻巨片《E.T.外星人》中飾演一位惹人喜愛(ài)的小女孩歌蒂，而在《欲海潮》一片中，觀眾所看到的巴瑞摩爾已不再是一個(gè)小女孩了，她已經(jīng)成長(zhǎng)為一名成熟性感的大艷女。 茜維是一個(gè)叛逆不平的富家女，在一個(gè)偶然的機(jī)會(huì)遇到了與自己個(gè)性迥然不同的艾薇，她熱情開(kāi)放的舉止及特有的神秘色彩讓茜維為之震撼，因好奇心驅(qū)使她一心想與她成為好友，因緣際會(huì)下，艾薇住進(jìn)了茜維家，但從此災(zāi)難接踵而至，父親被艾薇誘惑出軌，母親離奇墮樓而亡……
備注：已完結(jié)
類(lèi)型：劇情片
主演：約翰·赫特 羅塞娜·派斯特 艾麗絲·克里奇 阿明·繆勒-斯塔爾 約翰·
導(dǎo)演：喬治·斯魯依澤
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：一系列匿名信將歐盟中某些政要的腐敗丑聞曝光，英國(guó)政府派出政府官員前往布魯塞爾進(jìn)行調(diào)查。這些本身亦有過(guò)不清白經(jīng)歷的官們是否能應(yīng)對(duì)道德挑戰(zhàn)呢？本片由三屆英國(guó)電影學(xué)院獎(jiǎng)得主、金球獎(jiǎng)影帝約翰·赫特主演, 并參選第37屆柏林電影節(jié)金熊獎(jiǎng)。
備注：已完結(jié)
類(lèi)型：喜劇片
主演：奧利維亞·羅德里戈 約書(shū)亞·巴塞特 馬特· 科耐特 索菲亞·懷利 Ka
導(dǎo)演：蒂姆·費(fèi)德勒爾
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：The cast of ?High School Musical The Musical - The Series? share anecdotes of memorable holidays from their childhoods, best presents, favorite traditions, family photos, and New Year's resolutions.
備注：已完結(jié)
類(lèi)型：劇情片
主演：馬蒂亞斯·哈比希 瑪加蕾特·馮·特羅塔 呂迪格·基施施泰因 馬克·埃羅
導(dǎo)演：沃爾克·施隆多夫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：本片出自德國(guó)新浪潮電影代表人物之一，《鐵皮鼓》導(dǎo)演沃爾克·施隆多夫之手，是一部向法國(guó)著名導(dǎo)演讓·梅爾維爾致敬的經(jīng)典作品。影片描寫(xiě)第一次世界大戰(zhàn)期間，高貴的索菲女伯爵愛(ài)上了一位普通士兵，但動(dòng)蕩的時(shí)代，因?yàn)檫@段戀情卻給兩人帶來(lái)了可怕的災(zāi)難，影片悲傷而凄涼，是導(dǎo)演沃爾克·施隆多夫除《鐵皮鼓》以外，最被人認(rèn)同的大師作品……
備注：已完結(jié)
類(lèi)型：愛(ài)情片
主演：赫伯特·巴尚 LucSimon LauraDukeCondominas
導(dǎo)演：羅伯特·布列松
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：故事發(fā)生在尋找圣杯的最后幾天，當(dāng)亞瑟王的武士們策馬穿過(guò)一片充滿黑暗、險(xiǎn)象環(huán)生的叢林，一無(wú)所獲回到卡默洛特（亞瑟王的宮殿）后，他們的隊(duì)伍被解散，士氣頓失。在他們中間，一位名為蘭斯洛特的武士，對(duì)此次失敗感到深深自責(zé)。他認(rèn)為正是他和格溫娜維爾皇后的偷情摧毀了這次神圣的使命。失敗的陰影籠罩著一切，輝煌華麗的宮廷呈現(xiàn)出一個(gè)即將結(jié)束的年代的衰敗氣象。
