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備注：已完結(jié)
類型：劇情片
主演：EricChristianOlsen CatherineOxenber
導(dǎo)演：NeilMandt
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：To escape the clutches of the evil warrior and sorceress Morgana, Merlin transports young King Arthur into modern day America. When Merlin comes back ten years later to retrieve him, he finds a hip 15 year-old Arthur who does not believe Merlin, nor does he want to return to the past. Merlin must convince Arthur of his true identity, before Morgana can retrieve Excalibur and al...
備注：已完結(jié)
類型：劇情片
主演：馬里烏什·德莫霍夫斯基 貝婭塔·蒂?；S茨 菲耶夫斯基·塔德烏什 Ja
導(dǎo)演：沃伊切赫·哈斯
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
備注：已完結(jié)
類型：劇情片
主演：Greta Almroth Einar R?d Hildur Carl
導(dǎo)演：卡爾·西奧多·德萊葉
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：卡爾·西奧多·德萊葉這部喜劇引出心靈流變的軌跡，并在喜劇形式表現(xiàn)中要求夸張的轉(zhuǎn)折與表演方式。他的簡(jiǎn)單主義從《總統(tǒng)》的辦公室開始到瑪格麗特夫人的屋舍，更趨向樸質(zhì)。而對(duì)容貌的描寫這里也有了開端。影片中的騙徒，終究抵抗不了良心的責(zé)備以及虛假婚姻阻隔與女友之間的真情。但有趣的是，被騙的老婦卻早已察覺他的不懷好意但又絕非惡徒。反而是外力最后促使內(nèi)在的圓滿。
備注：已完結(jié)
類型：劇情片
主演：薩姆·德·格拉斯 Francelia Billington 埃里克·馮
導(dǎo)演：埃里克·馮·施特羅海姆
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
備注：已完結(jié)
類型：劇情片
主演：碧姬·芭鐸 保羅·默里斯 夏爾·瓦內(nèi)爾 薩米·弗雷 瑪麗-若斯·納特
導(dǎo)演：亨利-喬治·克魯佐
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：法國(guó)著名大導(dǎo)演 @亨利-喬治·克魯佐 執(zhí)導(dǎo)的經(jīng)典法庭懸疑片，由一代銀幕性感女神 @碧姬·芭鐸 領(lǐng)銜主演?！ ∮捌ㄟ^一起訴訟案件，向觀眾講述了一對(duì)青年男女之間熾熱奔放、大膽自由、無(wú)拘無(wú)束、歇斯底里的愛情故事?！ 亨利-喬治·克魯佐 在片中使用了極具跳躍感的剪輯手法，這非但沒有破壞敘事節(jié)奏，其特點(diǎn)反而與男女主人公之間充滿張力與撕裂的感情糾葛一脈相承，為影片加分不少。
備注：已完結(jié)
類型：劇情片
主演：Alina Schaller Judith Altenberger T
導(dǎo)演：Clara Stern
語(yǔ)言：德語(yǔ)
年代：未知
簡(jiǎn)介：米拉是一個(gè)奧地利葡萄園的繼承人，她的生活中有很多需要擔(dān)心的事情，每天都得應(yīng)對(duì)巨大的壓力：家族企業(yè)幾乎無(wú)法維持，祖父的癡呆癥越來(lái)越嚴(yán)重，兄弟保羅最近還失蹤了。面對(duì)令人焦慮的一切，米拉唯一發(fā)泄方式是參與女子冰球，作為隊(duì)長(zhǎng)，她以她一貫的正直和責(zé)任感帶領(lǐng)團(tuán)隊(duì)。新隊(duì)友特蕾莎的出現(xiàn)，讓總是很緊張的米拉擁有了不一樣的感覺。一天，保羅回來(lái)了，三人踏上一場(chǎng)改變命運(yùn)的維也納之旅：在那里米拉將學(xué)會(huì)放手，讓自己過得輕松一點(diǎn)——甚至可能墜入愛河。
備注：已完結(jié)
類型：劇情片
主演：瓦萊麗亞·布魯尼·泰德斯基 瑪琳娜·佛伊絲 皮奧·馬麥 艾薩圖·迪亞諾
導(dǎo)演：卡特琳·科西尼
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：漫畫家拉菲面臨拉子婚姻危機(jī)，急于挽回偏偏摔斷手送醫(yī)。 然而危急的不僅是她的愛情，整個(gè)國(guó)家也瀕臨分崩離析。 外頭鎮(zhèn)暴警察棒打黃背心，院里過勞醫(yī)護(hù)揮汗AED，鬧哄哄的急診室宛若法國(guó)社會(huì)縮影，各色人等一邊看政治新聞斗嘴，一邊哀嚎爭(zhēng)論誰(shuí)才值得優(yōu)先關(guān)心。 在示威前線遭催淚彈炸傷的貨車司 機(jī)，與為愛癲狂的拉菲相遇，兩個(gè)背景迥異卻同樣失意的暴走淪落人，該如何在煙硝彌漫的醫(yī)院里捱過動(dòng)蕩長(zhǎng)夜，找回內(nèi)心和平？ 《美好時(shí)節(jié)》導(dǎo)演推出針砭時(shí)局的悲喜劇，不僅描繪女同志家庭，更劍指醫(yī)療體系及中下階層民生問題。 意大利大衛(wèi)獎(jiǎng)影后華薇莉泰德奇在片中大飆演技，將失控的焦慮型依戀者演得神煩又令人憐惜。 當(dāng)戀人之都烽煙四起，種種歇斯底里的背后，是困頓人生的哀鳴。
備注：已完結(jié)
類型：喜劇片
主演：Martín Castro Karem Momo Ruiz Paulo
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：這是一個(gè)關(guān)于沒法適應(yīng)生活環(huán)境的天才男孩的故事。盡管出生在一個(gè)貧窮且缺乏教育的家庭，他仍然努力去取得成功。小小年紀(jì)的他 卻要做出人生中最艱難的決定——長(zhǎng)大后干什么?！ he story of a misfit and extremely bright little boy, after he finds out he's a genius, he struggles to succeed despite the ignorance and poverty of his family. And being only an 8-year-old boy, he has to anticipate the most difficult decision of his life What does he want to be when he grows up
