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備注：已完結(jié)
類型：喜劇片
主演：詹姆斯·梅森 海倫·米倫 杰克·麥高恩 Neva Carr-Glynn
導(dǎo)演：邁克爾·鮑威爾
語言：英語
年代：未知
簡介：Michael Powell teamed with actor James Mason (who also co-produced) to make a film loosely based on the life of controversial Australian artist Norman Lindsay. Age Of Consent stars Mason as a jaded painter who heads Down Under looking for a way to revitalize his creative soul. His self-imposed exile is interrupted by Cora, an uninhibited young woman on her own journey of self-discovery. The Age of Consent (1969), is Powell's final film, centers on James Mason as a disenchanted painter who finds a new muse in a tropical island model (a radiant and sensual, often nude Helen Mirren, in her first movie role).
備注：已完結(jié)
類型：喜劇片
主演：Rob Aguire 朱莉·伯曼 D.T. Carney Christ
導(dǎo)演：馬克·阿特金斯
語言：英語
年代：未知
簡介：Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path ?Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
備注：已完結(jié)
類型：劇情片
主演：戴米恩·路易斯 安德麗婭·賴斯伯勒 羅斯·安德森 凱特·迪基 Eric
語言：英語
年代：未知
簡介：On a remote Scottish Isle in the 1950s, a 30-year-old woman（Andrea Riseborough）is caught between her overbearing, evangelist husband（Damian Lewis）, a Minister, and the masculine vitality of a 16-year old criminal who is delivered to them as part of a rehabilitation scheme.
備注：已完結(jié)
類型：劇情片
導(dǎo)演：KimGwan-cheol
語言：韓語
年代：未知
簡介：Healing romance between a man whose life is tiring because of things he says without meaning them and a woman who's afraid of life because of her closed heart. Dong-soo who has tic orders that make him swear without knowing it, visits Ye-ri's rooftop house twice a week to deliver daily necessities that's his job. Ye-ri is always shut in her room after the death of her younger s...
備注：已完結(jié)
類型：劇情片
主演：索亞那·奧馬爾-斯切戈 IdrissAbdillahiHoufaneh
導(dǎo)演：雪莉·霍曼
語言：英語 / 法語
年代：未知
簡介：華莉絲（莉亞?科貝德 Liya Kebede 飾）出生在索馬里的沙漠和母親過著游牧民族的生活。在三歲時，華莉絲按照索馬里習(xí)俗就被施以女性割禮。十二歲時父親為了得到五頭駱駝，要將華莉絲嫁給六十歲的老叟。就在出嫁前夜，華莉絲在母親的默許下，在沙漠中徒步很久投奔摩加迪沙的外祖母,也在外祖母那里獲得了去給當(dāng)時索馬里駐英國大使夫人的姨媽作女傭的機會。到英國后不久，索馬里爆發(fā)戰(zhàn)爭，舊政府被推翻，華莉絲趁亂再次出逃大使館而流浪英國街頭。
備注：已完結(jié)
類型：劇情片
主演：Michaela Farrugia Jesmark Scicluna
導(dǎo)演：亞歷克斯·卡米萊里
語言：其它
年代：未知
簡介：馬耳他漁業(yè)日漸蕭條，出身漁民世家的杰斯馬克為了養(yǎng)活妻兒，不得不鋌而走險嘗試黑市捕魚交易。影片極具現(xiàn)實主義風(fēng)格，從馬耳他本地漁民的視角出發(fā)，將對多種社會議題的探討，巧妙地穿插在一個感人至深的家庭故事之中，呈現(xiàn)了地中海美麗風(fēng)光背后的悲情真相。片中包括男主角在內(nèi)的多個角色，均是由當(dāng)?shù)貪O民出演，他們樸實無華的本色出演真實而自然。本片是第一部亮相圣丹斯電影節(jié)的馬耳他電影，并最終榮獲2021年圣丹斯電影節(jié)世界電影單元評審團特別獎。
備注：已完結(jié)
類型：劇情片
主演：Heinrich Hargesheimer Carlheinz Har
語言：其它
年代：未知
簡介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
