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備注：已完結(jié)
類型：劇情片
主演：普拉部·地伐 Vetri Kiran Chandrasekar Kon
語言：其它
年代：未知
簡介：In a tragic accident, Kathiravan loses his wife and his left leg. A few years later he decides to get a prosthetic leg with the compensation amount. Kathiravan's life gets more complicated when his daughter Magizh gets hospitalized.
備注：已完結(jié)
類型：劇情片
主演：Jennifer Tilly Richard Chamberlain
導(dǎo)演：Temístocles López
語言：英語
年代：未知
簡介：男孩Dominik看到一個美國犯罪的老板謀殺了他的父親，一名警察反腐敗在保加利bbb。多年后，他試圖為父親的死報仇，但因謀殺未遂被判入獄15年。在監(jiān)獄里，他遇到了一位美國攝影記者，他與敵人分享他的復(fù)仇思想。兩人從監(jiān)獄里計劃了一個陰謀。
備注：已完結(jié)
類型：喜劇片
主演：JuddNelson CatherineBell LouFerrign
導(dǎo)演：MichelleDanner
語言：英語
年代：未知
簡介：A lovable dog named Bandit starts stealing cash to help his adopted family, he unwittingly sets them on a collision course with his dangerous ex-partner.
備注：已完結(jié)
類型：喜劇片
主演：茲旦內(nèi)克·斯維拉克 帕沃·里斯卡 Jirí Machácek Petr
導(dǎo)演：揚(yáng)·斯維拉克
語言：其它
年代：未知
簡介：隨著時間的流逝和年齡的長大，那些陪伴孩子們度過幾多快樂時光的玩具們，或者破舊，或者過失，逐漸被人遺忘和拋棄。小男孩奧德拉自幼由小熊玩具小庫陪伴，不過小庫已然開線破碎，并且屬于不可清洗的玩具，附著在它身上的粉塵和纖維會讓奧德拉的哮喘復(fù)發(fā)。雖然奧德拉一百個不情愿，但是媽媽還是堅持把小庫扔掉了。夜幕降臨，奧德拉雙手合十，衷心祈禱小布能夠逃離垃圾場?！ ∷坪踮ぺぶ杏兴袘?yīng)，躺在垃圾堆中的小布站起身來，躲過了碾壓機(jī)的襲擊，也逃脫了塑料軍團(tuán)的魔爪。它輾轉(zhuǎn)來到了一片大森林，并邂逅森林的守護(hù)隊長詛咒神。在詛咒神的幫助下，它踏上了充滿驚險的回家之路……
備注：已完結(jié)
類型：劇情片
主演：馬里烏什·德莫霍夫斯基 貝婭塔·蒂?；S茨 菲耶夫斯基·塔德烏什 Ja
導(dǎo)演：沃伊切赫·哈斯
語言：其它
年代：未知
簡介：The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
