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備注：已完結(jié)
類型：喜劇片
主演：Shahid Kapur Kareena Kapoor Pavan M
語言：其它
年代：未知
簡介：一次偶然中，艾迪特（沙希德·卡潑爾 Shahid Kapoor 飾）在火車上遇見了名為吉特（卡琳娜·卡普 Kareena Kapoor 飾）的女子，通過交談，艾迪特得知吉特有一個相戀已久的男友安舒曼（Tarun Arora 飾），于是幫助吉特離家出走，去和安舒曼雙宿雙飛，而自己也回到了家中，承擔起了家族企業(yè)那沉重的負擔。時間流逝，艾迪特的心中一直沒有忘卻勇敢堅強的吉特?！ ≈钡郊氐募胰苏业桨咸刂畷r，他才知道，吉特并沒有能夠和安舒曼在一起，他去找安舒曼，卻發(fā)現(xiàn)此人是一個薄情寡義的混蛋，他對吉特避而不見，無處可去的吉特只能暫時在修道院中寄宿。艾迪特找到了吉特，說服她回到家人身邊，然而，就在吉特答應(yīng)之時，安舒曼卻改變了態(tài)度，忽然出現(xiàn)在了吉特的眼前。
備注：已完結(jié)
類型：劇情片
主演：Misha Gomiashvili Dachi Orvelashvil
導演：莫森·瑪克瑪爾巴夫
語言：其它
年代：未知
簡介：武裝革命推翻獨裁政權(quán)，是以暴制暴，還是以暴易暴國際影展?？鸵晾拭麑яR克馬巴夫描寫一位被推翻的獨裁總統(tǒng)帶著小孫子逃亡，喬裝成貧民、躲藏社會底層，遇見一個個因其恐怖統(tǒng)治而殘破不堪的家庭與個人。究竟他應(yīng)該被吊死？燒死？斬首？還是隨眾人渴望的民主起舞？本片獲選 2014 威尼斯影展開幕片，虛構(gòu)而映照現(xiàn) 實。人道主義至上，刀刀見骨卻毫不煽情。
備注：已完結(jié)
類型：劇情片
主演：米卡·阿卜杜拉 杰克·索特 福瓊·費姆斯特 趙牡丹 瑞貝卡·亨德森 帕
導演：TaliaOsteen
語言：英語
年代：未知
簡介：米卡·阿卜杜拉(《青春相對論》)、杰克·索特([社交網(wǎng)絡(luò)追愛記])將主演青春喜劇[吸引力](Sex Appeal，暫譯)。該片由塔莉亞·奧斯汀([幫幫我])執(zhí)導，塔特·漢約克操刀劇本。故事講述功成名就的女明星艾弗里·漢森-懷特與男友異地相戀，當男友暗示想在即將到來的舞會上進一步發(fā)展兩人的關(guān)系后，她開始面對自己的欲望并且學習愛情的模式，過程中，她意識到感情需要的是感性而不是理性。
備注：已完結(jié)
類型：劇情片
主演：弗蘭茨·羅戈夫斯基 艾力克·高敦 克勞迪奧·桑塔瑪利亞 彼得洛·卡斯特
語言：意大利語 / 德語
年代：未知
簡介：第二次世界大戰(zhàn)期間，1943年德軍襲擊羅馬，馬蒂爾德（Matilde）、森西奧（Cencio）、富爾維奧（Fulvio）和馬里奧（Mario）一家在一座永恒的城市的馬戲團工作。他們的父親用他們的錢去買票逃亡，沒回音而消失，這導致四個朋友的生活陷入混亂中。沒有任何人照顧他們，但最重 要的是，沒有馬戲團，他們也失去了社會地位，如同戰(zhàn)爭城市中散落的景點那樣逐漸凋零。
備注：已完結(jié)
類型：喜劇片
主演：MiguelFerrer JohnLivingston MosDef
語言：英語
年代：未知
簡介：兩位電影系畢業(yè)生決定不計一切代價，完成一部轟動影壇的成功影片；在經(jīng)歷第一部失敗之作的慘痛經(jīng)驗後，威爾頓和AJ決定以一家兩人徵信社為題材，拍攝一部紀錄片；私家偵探布恩（麥吉爾費洛）是這家位於洛城的袖珍徵信社老闆之一，由於生意慘澹，徵信社的財務(wù)並不樂觀，但布恩決心要改變這個現(xiàn)況；當布恩的合夥人意外身亡後，威爾頓和AJ的拍片計畫亦加入了不可預(yù)料的變數(shù)，並就此捲入了充滿誘惑、背叛、與謀殺的現(xiàn)實世界中。
備注：已完結(jié)
類型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
語言：其它
年代：未知
簡介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
