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備注：已完結
類型：劇情片
主演：奧黛·英格蘭 科斯塔斯·曼迪勒 Eric Da Silva
導演：扎爾曼·金
語言：英語
年代：未知
簡介：故事發(fā)生在1939年的巴黎，女作家伊麗娜（奧黛·英格蘭 Audie England 飾）正和著名作家勞倫斯（科斯塔斯·曼迪勒 Costas Mandylor 飾）打得火熱，而就在這濃情蜜意的時刻，伊麗娜震驚的發(fā)現(xiàn)勞倫斯居然背著她四處沾花惹草，心高氣傲的伊麗娜果斷的選擇了離開?！ 邮幍恼謳淼氖巧畹睦Э嗪娃讚?jù)，在出版業(yè)極不景氣的情況下，入不敷出的伊麗娜只得做起了人體模特的職業(yè)以此謀生，雖然經(jīng)濟狀況因此有所好轉，但整體情況依然不容樂觀。就在此時，伊麗娜的經(jīng)紀人告訴她，有一個神秘的顧客想要出高價購買她的作品，但題材必須和情欲有關。為了生存，對此題材毫無經(jīng)驗的伊麗娜做出了決定，毅然踏上了探索靈與肉的道路。
備注：已完結
類型：劇情片
主演：Mawusi Tulani Clarissa Kiste Caroli
語言：葡萄牙語
年代：未知
簡介：1899年的巴西，廢除奴隸制后不久，逝者的亡靈仍在世人間游走。對于蘇亞雷斯一家的女人們來說，放棄特權并適應中產(chǎn)階級生活，令她們?yōu)l臨瘋狂。對于曾經(jīng)被奴役的伊娜·納西門托來說，在充滿敵意的新世界中與所愛之人重聚，迫使她必須面對真實的自己。在巴西陷入困境的過去和破裂的現(xiàn)在之間，這些女性一邊應對命運的巨變，一邊試圖創(chuàng)造著自己的未來。入圍柏林國際電影節(jié)主競賽單元。
備注：已完結
類型：喜劇片
主演：朱麗葉塔·馬西納 桑德拉·米洛 馬里奧·皮蘇 瓦倫蒂娜·格特斯 瓦勒斯
導演：費德里科·費里尼
語言：其它
年代：未知
簡介：費里尼拍攝了另一部自傳性很強的電影《朱麗葉與魔鬼》，在這部電影里，費里尼過分追求求神秘主義的夢境空間，在影片里極盡詳能的描述描寫一個資產(chǎn)階級的女人遭到丈夫的欺騙，精神迷惘，陷于離奇古怪的幻覺，最后終于清醒的故事。雖然費里尼和茱莉埃妲兩人攜手共度一生，而且費里尼也從來沒有傳出與其他女人的誹聞，但是我想所有對費里尼非常熟悉的影迷都不相信費里尼從沒有出軌的行為。尤其在看了這部電影之后，因為在費里尼的電影中充分的表現(xiàn)出費里尼是一個性欲旺盛且對女人充滿遐想的導演，他甚至在他的男人外遇只是把自己的性器官借給別人用一下罷了，并沒有出賣自己的靈魂。或者這正是費里尼的迷人之處吧，他永遠是神秘的，讓人無法捉摸的。
備注：已完結
類型：劇情片
主演：Nancy Talamantes óscar Torres Leidi
導演：戴維·巴勃羅斯
語言：其它
年代：未知
簡介：“The Chosen Ones” turns on 15-year-old, Ulises, who is being groomed by his father to enamor young girls, tricking them into prostitution. But he falls in love with Sofia, his first victim, who’s just 14. To save her, his father demands he seduces a second girl, entangling Ulises in the world of juvenile prostitution that he was trying to avoid, from which escape come at a very high price.
備注：已完結
類型：動作片
主演：托馬斯·米連 約瑟夫·科頓 Maria Fiore Mario Pia
導演：翁貝托·倫齊
語言：其它
年代：未知
簡介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
