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備注：已完結(jié)
類型：劇情片
主演：伊恩·夏普 Gina Bramhill 里克·沃登 Nicholas
語言：英語
年代：未知
簡(jiǎn)介：A mysterious man, Dean, returns to his hometown of Grimsby after many years abroad in the Army. His arrival is met with animosity, particularly from his father, an avid pigeon racer. Dean is drawn back to confront his demons, and confess a secret to a childhood friend, Jess, only to discover she has been struggling since the untimely death of her husband. Whilst attempting to raise her child and battling a crumbling economy and dearth of opportunities, she is pulled into a harsh underworld. Dean must help her, throw her a lifeline, but the situation only darkens. When their lives are threatened he will do all it takes to make sure she is safe.
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：喜劇片
主演：凱德·麥拉德 丹尼·伯恩 佐伊·費(fèi)利克斯 洛倫佐·奧斯利亞-福雷 安·
導(dǎo)演：丹尼·伯恩
語言：法語
年代：未知
簡(jiǎn)介：菲利普（凱德·麥拉德 Kad Merad 飾）在法國南部普羅旺斯的一家郵局任職了十多年，一成不變的生活和悶悶不樂的妻子朱莉（Zoé Félix 飾）令他感到壓抑。為了討妻子歡心，菲利普裝扮成殘疾人申請(qǐng)升職到南部的黃金海岸地區(qū)，卻不料弄巧成拙被調(diào)派到了極北的小城貝爾格（Bergues）擔(dān)任局長。在南方人眼里，那里氣候寒冷惡劣，人民粗俗不堪，說話還帶著難懂的Ch'ti口音，是堪比地獄的地方?！ ⌒幕乙饫涞姆评辙o別家人，忐忑不安的獨(dú)自赴任。然而出乎意料的是，他發(fā)現(xiàn)自己的新下屬們和當(dāng)?shù)氐木用穸己軣崆楹每?，自己也很快與郵遞員安東尼（丹尼·伯恩 Dany Boon 飾）交上了朋友。菲利普逐漸愛上了這處淳樸簡(jiǎn)單的小城，但當(dāng)他試圖說服朱莉一同來到北方生活，卻遭到了妻子的質(zhì)疑…… 本片曾獲2008年歐洲電影獎(jiǎng)及2009年法國愷撒獎(jiǎng)提名。
備注：已完結(jié)
類型：劇情片
主演：斯特林·奈特 史賓塞·洛克 迪恩·蓋耶 Kote Tolordava
語言：英語
年代：未知
簡(jiǎn)介：三個(gè)美國年輕友人，相邀到歐亞邊境國喬治亞旅行，不料在行經(jīng)偏僻的野地，其中一人誤踩到當(dāng)?shù)貒硲?zhàn)時(shí)期遺留下來的地雷，正憂心身處險(xiǎn)地的當(dāng)下，竟爆出兩男一女友人間不可告人出軌關(guān)系，而正當(dāng)三人爭(zhēng)論是否彼此原諒，彼此背棄和尋求當(dāng)?shù)鼐仍畷r(shí)，一個(gè)外出打獵喬治亞住民出現(xiàn)，讓原本站在地雷上急如熱鍋螞蟻的青年，從此面臨情愛與生死交關(guān)的抉擇，倒底他的抉擇能否獲得老天的眷顧，腳踩地雷的他是否還有扭轉(zhuǎn)局勢(shì)的奇蹟？
備注：已完結(jié)
類型：劇情片
主演：阿麗薩·弗雷因德利赫 拉麗薩·古澤耶娃 尼基塔·米哈爾科夫 安德烈·米
導(dǎo)演：埃利達(dá)爾·梁贊諾夫
語言：其它
年代：未知
簡(jiǎn)介：拉麗莎（阿麗薩·弗雷因德利赫 Alisa Frejndlikh 飾）擁有非常美麗的外表，她本是銜著金湯匙出生的千金小姐，無奈家道中落，如今的一家人過著捉襟見肘的生活。拉麗莎有兩個(gè)姐姐，她們都已經(jīng)嫁為人婦，拉麗莎是母親最后的希望，母親想要她嫁給一個(gè)有錢人，如此她才能夠再度過上富裕的日子?！ ±惿瘣凵狭嗣邪屠蟹颍峄っ坠柨品?Nikita Mikhalkov 飾），與此同時(shí)，一個(gè)郵政部門的小職員卡朗迪耶謝夫（安德烈·米亞赫科夫 Andrey Myagkov 飾）也在熱烈的追求著拉麗莎。本來，拉麗莎和巴拉托夫之間感情發(fā)展的很順利，哪知道天有不測(cè)風(fēng)云，巴拉托夫破產(chǎn)了，之后，他選擇了離開。痛苦之中，拉麗莎被卡朗迪耶謝夫趁虛而入，兩人訂了婚。
備注：已完結(jié)
類型：劇情片
主演：Kim Delaney .... Dr. Samantha Hill
語言：英語
年代：未知
簡(jiǎn)介：本劇是NBC頗具震撼力的電視迷你短劇《10.5》（地動(dòng)天驚）的續(xù)集和終結(jié)篇。在上一集中，強(qiáng)烈的地殼運(yùn)動(dòng)所引發(fā)的10.5級(jí)恐怖地震毀滅了美國西海岸，改變了地核結(jié)構(gòu)，直接威脅到到北美甚至整個(gè)西半球，造成了一系列連鎖災(zāi)害：夏威夷被海嘯吞沒，胡佛被摧毀，洛杉磯沉沒……《10.5 Apocalypse》（毀滅之日）的視覺效果達(dá)到了同類迷你劇中的高水準(zhǔn)?！ 榱苏雀嗟纳⑼炀葒?，Hollister總統(tǒng)（扮演者：艾美獎(jiǎng)和金球獎(jiǎng)雙料明星Beau Bridges，SG-1 第九季中可愛的將軍）決定孤注一擲。他找來全國最頂級(jí)也是最有爭(zhēng)議的地震學(xué)家Samantha Hill博士（扮演者：艾美獎(jiǎng)得主Kim Delaney）和她的上司兼前男友Jordan Fisher博士（扮演者：David Cubitt），評(píng)估最近一次地震所帶來的沖擊。Hill絞盡腦汁，沒辦法弄明白為什么會(huì)有持續(xù)不斷的地震和火山爆發(fā)，但她意外發(fā)現(xiàn)了也是地震學(xué)家的父親（扮演者：Frank Langella）多年前作出的一個(gè)難以置信的假設(shè)。如果這個(gè)假設(shè)正確，將會(huì)有更大的災(zāi)難到來，北美大陸也將徹底被改變：將被分割成兩塊獨(dú)立的大陸。
