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備注：已完結(jié)
類型：劇情片
語言：其它
年代：未知
簡(jiǎn)介：Julien Duvivier最好的作品之一也是他認(rèn)為自己所有默片中最喜歡的一部?！ ummary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. ?An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. ?Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. ?The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
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類型：劇情片
主演：Diljit Dosanjh Tapsee Pannu 安加德·貝迪
語言：其它
年代：未知
簡(jiǎn)介：Soorma is the story of the triumph of the human spirit, about a player, who made headlines for his miraculous comeback after facing a near death experience through sheer determination, hard work and unrelenting passion for the sport.
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類型：劇情片
主演：RobertUrich AnnetteO'Toole
導(dǎo)演：MikeRobe
語言：英語
年代：未知
簡(jiǎn)介：綽號(hào)“LUCKY”的葛藍(lán)是一名出色的戰(zhàn)斗機(jī)飛行員，但他厭倦了血與火的生活，于是申請(qǐng)從空軍退役，任職于一家航空公司。
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類型：劇情片
主演：Avigail Kovari Moran Rosenblatt Gal
導(dǎo)演：Tsivia Barkai
語言：希伯來語
年代：未知
簡(jiǎn)介：一段奇妙卻又充滿禁忌的初戀故事！ 描述一名生長(zhǎng)在傳統(tǒng)猶太教青少女，她的性覺醒與喪偶父親嚴(yán)謹(jǐn)?shù)淖诮绦叛鲋g的沖突與撞擊。這也是編導(dǎo)演Tsivia Barkai Yacov的自傳性故事。本片是繼她的畢業(yè)作品VIKA 入圍2006 柏林影展Generation Kplus競(jìng)賽單元之后，再次受到柏林影展肯定。
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類型：劇情片
主演：朱麗葉·比諾什 西蒙·伊俄努 西波里特·吉拉多特 宋方 Louise
導(dǎo)演：侯孝賢
語言：法語
年代：未知
簡(jiǎn)介：蘇珊（朱麗葉·比洛什飾）的丈夫滯留在加拿大蒙特婁大學(xué)客座寫小說，獨(dú)留她與七歲的兒子西蒙在巴黎，她是個(gè)出色的戲劇教授同時(shí)也是木偶劇編劇，正忙著籌備一出改編自中國(guó)元曲的劇碼《求妻煮海人》，并且擔(dān)任劇中角色的聲音演出。每天忙著工作與大小雜事，對(duì)于自己更是自顧不暇的蘇珊，只好請(qǐng)?jiān)诎屠璐髮W(xué)念電影的華裔學(xué)生宋芳擔(dān)任保姆。某天，西蒙發(fā)現(xiàn)了一個(gè)無人理會(huì)的落單紅氣球，西蒙拉著她穿過巴黎市區(qū)的大街小巷，紅氣球也隨著他們的腳步漂浮游蕩，時(shí)而出現(xiàn)時(shí)而消失的紅氣球仿佛有了生命。宋芳拿出攝影機(jī)，以西蒙與紅氣球?yàn)橹鹘?，信手拍了一部電影中的電影。轉(zhuǎn)眼露易絲將高中畢業(yè)，蘇珊希望她回巴黎申請(qǐng)大學(xué)，把父母遺留的現(xiàn)居老公寓重新整修讓露薏絲搬進(jìn)來住，但卻怎么也無法叫樓下丈夫久未繳房租的友人搬走。就在這些尋常瑣事和喜怒哀樂間，紅氣球偶而駐足，拉長(zhǎng)的影子投映在市街各個(gè)角落。有時(shí)來到蘇珊家的窗前，有時(shí)飄過塞納河、圣母院、奧塞美術(shù)館、蒙馬特。最終，緩緩飛向天際。
備注：已完結(jié)
類型：愛情片
主演：比爾·帕克斯頓 弗蘭西絲·費(fèi)舍 BreannJohnson 盧克·貝里
導(dǎo)演：威爾·華萊士
語言：英語
年代：未知
簡(jiǎn)介：在一個(gè)小鎮(zhèn)上，麥迪收養(yǎng)了一個(gè)男孩弗朗西斯，但是丈夫和婆婆并不認(rèn)同她的做法，認(rèn)為這個(gè)男孩很可疑。長(zhǎng)大后，弗朗西斯在女友的慫恿下離開農(nóng)場(chǎng)，但最終他決定返回小鎮(zhèn)，勇敢擁抱自己的新生活。
備注：已完結(jié)
類型：劇情片
導(dǎo)演：高峰FengGao
語言：普通話/國(guó)語
年代：未知
簡(jiǎn)介：1941年秋，占據(jù)安西的軍閥尕司令預(yù)感自己即兵敗，在星星峽搶劫了大批運(yùn)往內(nèi)地的新疆各界民眾募捐的抗日物資，幸在鮮為人知的紅草灘，以備東山再起。傷痕累累的尕司令逃脫了追匪化裝成迷路的商客，被荒墩爺收留。漸漸養(yǎng)好傷后，他來到紅草灘準(zhǔn)備挖出埋藏在這里的財(cái)物時(shí)，卻發(fā)現(xiàn)早已被荒墩爺挖走，頓時(shí)兇相畢露與荒墩爺展開博斗，最終尕司令被打死。哈娃子和沙紅按荒墩爺?shù)倪z囑將財(cái)物送到了設(shè)在迪化的八路軍駐新疆辦事處，粉碎了軍閥司令東山再起的陰謀。
備注：已完結(jié)
類型：劇情片
主演：Greta Almroth Arvid Dahlberg 約翰·?？寺?/a>
導(dǎo)演：莫里茲·斯蒂勒
語言：其它
年代：未知
簡(jiǎn)介：“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
