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備注：已完結(jié)
類型：劇情片
主演：Christopher Phipps Pete O. Partid
導(dǎo)演：Christopher Compton
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：一名前海軍陸戰(zhàn)隊(duì)軍人，為保護(hù)他生病的女兒而對(duì)芝加哥的一名罪犯發(fā)起了一場(chǎng)戰(zhàn)斗。
備注：已完結(jié)
類型：劇情片
主演：Tori Spelling Dinah Manoff William
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：卡蘿是位脫口秀節(jié)目的女主持人，她對(duì)員工同事苛刻，對(duì)家人冷漠，甚至為了現(xiàn)在的事業(yè)失去了愛(ài)情。圣誕前夜的特別節(jié)目開(kāi)始直前，卡蘿躺在沙發(fā)上睡覺(jué)，去世的瑪拉姑媽的靈魂來(lái)提醒卡蘿，說(shuō)會(huì)有三個(gè)圣誕精靈來(lái)拜訪她。十二點(diǎn)整，第一個(gè)精靈來(lái)了，他帶著卡蘿回到了過(guò)去，有兒時(shí)的成長(zhǎng)場(chǎng)景，還有卡蘿和約翰的戀愛(ài)經(jīng)歷。不久第二個(gè)精靈帶著卡蘿到了她的助理家，她的姐姐家還有約翰的工作地點(diǎn)。最后第三個(gè)精靈帶她來(lái)到了未來(lái)，當(dāng)看到未來(lái)自己悲慘的下場(chǎng)，卡蘿幡然醒悟?？ㄌ}從夢(mèng)中驚醒，開(kāi)始改變自己，她的改變挽回了陷入危機(jī)中的親情，友情。最終愛(ài)情也回到了她身邊。
備注：已完結(jié)
類型：劇情片
主演：伊娃·達(dá)爾貝克 哈里特·安德森 古納爾·布約恩施特蘭德 烏爾夫·帕姆
導(dǎo)演：英格瑪·伯格曼
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一個(gè)時(shí)尚編輯和一個(gè)模特兒到另一座城市出差，兩人各自發(fā)生艷遇，但春夢(mèng)一覺(jué)醒來(lái)，才得見(jiàn)內(nèi)心的惶恐。上世紀(jì)50年代的伯格曼作品經(jīng)常有強(qiáng)迫深刻的意味，如本片對(duì)女性夢(mèng)想、痛苦、掙扎等跟男人的關(guān)系作了探討，雖然是部諷刺喜劇，但有一種焦距不準(zhǔn)的模糊。
備注：已完結(jié)
類型：劇情片
主演：魯?shù)婪颉ね邆惖僦Z Rex Cherryman 亞瑟·霍伊特 澤菲·蒂爾
導(dǎo)演：雷·C·斯莫伍德
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：阿爾方斯妮（葛麗泰·嘉寶 Greta Garbo 飾）本是一位出生在偏僻小村莊里的窮苦姑娘，被貪婪的父親賣給了商人，之后一路輾轉(zhuǎn)顛沛流離來(lái)到了繁華的大都市巴黎。憑借著迷人的美貌和過(guò)人的智慧，阿爾方斯妮一舉成為了巴黎上流社交圈內(nèi)的交際花，整日生活在荼蘼的燈紅酒綠之中，人們送給了她“茶花女”的美譽(yù)。紙醉金迷的生活迅速的消耗了阿爾方斯妮的健康，使她患上了肺病，善良的公爵因?yàn)榘柗剿鼓菘崴扑痪弥叭ナ赖呐畠?，而?duì)她伸出了援手?！ ∫淮闻既恢?，阿爾方斯妮邂逅了作家小仲馬（羅伯特·泰勒 Robert Taylor 飾），情不自禁的墜入了情網(wǎng)。然而，兩人的經(jīng)歷和身份懸殊實(shí)在巨大，這段感情將注定不會(huì)有一個(gè)圓滿的結(jié)局。
備注：已完結(jié)
類型：劇情片
主演：Jack Noseworthy Ashley C. Williams
導(dǎo)演：Matthew A. Brown
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：影片圍繞朱莉婭·西姆斯，因?yàn)闅埧岬膭?chuàng)傷而落入一種非常規(guī)的治療來(lái)恢復(fù)自己。
備注：已完結(jié)
類型：科幻片
主演：瑪利亞·迪亞茲 OmarFranco NéstorJiménez Ye
導(dǎo)演：阿圖羅·因凡特
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介：暫無(wú)簡(jiǎn)介
備注：已完結(jié)
類型：劇情片
主演：Anna Neagle Anton Walbrook C. Aubre
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
備注：已完結(jié)
類型：劇情片
主演：佩妮·福勒 肯塔克·奧德利 格雷絲·格洛威克 利納斯·菲利普斯 里德·
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：In a world where the government records and taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an aging eccentric named Bella. Together, they must find a way back home.
